The steakhouse stack, with two beef paties, crispy onions and peppercorn sauce is the kind of McDonald's you take photos of to put pride of place on the mantelpiece.

Sure you'll need to make room, but you remember what your wedding day looked like.

The steakhouse stack, it's McDonald's and then some.

Available into the sixth of February, sir from 11 a.m. subject to availability,

participating restaurants only. From Spotify Studios, this is Dissect.

Long-form musical analysis broken into short digestible episodes.

I'm your host Cole Kushna. Today we

serialized analysis of Blond by Frank Ocean. On our last episode, we dissected Skyline 2 and self-control, both songs that center around Summer Romance. Blond continues this romantic thread

with a brief track about a blind date, good guy. If I was an en wah, I should look you up.

I, uh, first time I'd ever saw you.

And you text nothing like you love.

Is to the gay bar, you took me too.

Is when I realize you talk so much more than I do.

Good Guy was written and produced by Frank Goshen.

The song's production is incredibly sparse, just a single

keyboard, Frank subdued vocal, and some taypiss. Frank begins the track, Here's to the

good guy, he hooked it up, said if I was in and why I should look you up.

First time I'd ever saw you and you text nothing like you look.

The good guy of the song's title is not the man Frank is on a date with, rather the guy who set the two up while Frank was in New York.

Frank describes the man not looking anything like he texts.

It's a line only possible in our modern age, succinctly illuminating the contrast between the virtual,

curated, and idealized digital versions of ourselves and the physical real life reality.

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