S20 Ep14: NoSleep Podcast S20E14
The NoSleep Podcast
Creative Reason Media Inc.
4.7 • 13.7K Ratings
🗓️ 14 January 2024
⏱️ 63 minutes
🧾️ Download transcript
Summary
“Waiting” written by Brian Maycock (Story starts around 00:03:40)
TRIGGER WARNING!
Produced & scored by: David Cummings
Cast: Narrator – Penny Scott-Andrews, Announcer – Erika Sanderson
“A Man in a Diner” written by Sean J. K. Heasman (Story starts around 00:15:35)
Produced by: David Cummings
Cast: Narrator – Dan Zappulla, Man – David Cummings, Rose – Sarah Ruth Thomas, Kelly – Mike DelGaudio
“Child Predator” written by Eric Neher (Story starts around 00:37:45)
TRIGGER WARNING!
Produced by: Phil Michalski
Cast: Narrator – Peter Lewis, Kyle – Matthew Bradford, Girl – Nichole Goodnight, Prospect – Mike DelGaudio, Voice #1 – Elie Hirschman, Voice #2 – Danielle McRae
“David?” written by Joshua Fardon (Story starts around 00:58:50)
Produced by: Phil Michalski
Cast: Edgar – Graham Rowat, Phone – Katabelle Ansari, Nurse – Wafiyyah White, Voice – Danielle McRae, Operator – Elie Hirschman
“1,000 Eyes” written by Alexander Hay (Story starts around 01:11:05)
TRIGGER WARNING!
Produced by: Phil Michalski
Cast: Narrator – Andy Cresswell, Clive – James Cleveland, Figure – Jake Benson
“The Impossible Song” written by Nathaniel Bonfield (Story starts around 01:04:20)
Produced by: Jesse Cornett
Cast: Tobiah – David Ault, Evelyn – Ash Millman, Peitho 28 – Erika Sanderson
This episode is sponsored by:
Rocket Money – Rocket Money is the app that helps you identify and stop paying for subscriptions you donít need, want, or simply forgot about. Stop wasting money on things you donít use. Cancel your unwanted subscriptions by going to RocketMoney.com/nosleep
Click here to learn more about The NoSleep Podcast team
Click here to learn more about Joshua Fardon
Executive Producer & Host: David Cummings
Musical score composed by: Brandon Boone
“Waiting” illustration courtesy of Catriel Tallarico
Audio program ©2024 – Creative Reason Media Inc. – All Rights Reserved – No reproduction or use of this content is permitted without the express written consent of Creative Reason Media Inc. The copyrights for each story are held by the respective authors.
Transcript
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| 0:00.0 | From our earliest days we've gathered around the fire for warmth and comfort. |
| 0:19.2 | But beyond the light of the dying embers, there is the darkness. |
| 0:27.0 | And it's in the darkness of the night where we find ourselves waiting, yearning for the dawn to banish our fears. |
| 0:39.9 | But our campfire holds more than firelight. |
| 0:44.0 | For with us, you will hear the tales that make the nightmares engulf you. |
| 0:50.0 | And you dare not close your eyes. |
| 0:54.0 | Brace yourself for the no sleep podcast. No Sleep Podcast |
| 1:10.0 | Podcast. |
| 1:09.0 | Welcome to the No Sleep Podcast. |
| 1:11.0 | I'm your host, David Cummings. Work, job, career, occupation, gig. Call it |
| 1:20.1 | what you will. You either have or very much want something like that |
| 1:24.1 | something where you perform a service and get paid for it. What do you do for a living? |
| 1:29.6 | It's usually one of the first questions asked when meeting someone new. |
| 1:33.7 | Yes, in our culture, our jobs tend to define us. |
| 1:37.6 | If your job pays well, if it's interesting or cool, you tend to be seen in a better light. |
| 1:43.6 | If you work a minimum wage job toiling away in the bowels of some company, well you probably |
| 1:49.4 | don't want to mention your job. |
| 1:51.9 | It's rather sad that we derive so much of our identity and even our |
| 1:55.4 | self-worth because of what we do to try to get by and pay our bills. |
| 2:01.3 | In our episode this week, we discover the horror found when people are simply trying to do their work, get to their work, or talk about strange jobs they had in the past. |
| 2:12.0 | It's a subject well suited to horror because we tend to spend most of our waking hours going to, being at, and coming home from some sort of occupation. |
| 2:22.0 | And you just know that horror will find you during those work hours. |
... |
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