From the Jill Schwartz Memorial Library here in the wilds of Connecticut, this is obscure

season two Frankenstein.

I am your host, your friend, your your lover, your literary mans planer in chief and

Georgianologist Michael E. and Black and look, I'm just going to cut straight to the

chase guys, I'm in a good mood, I've been in a good mood for like a week.

And I don't expect it to last, all things in this life are temporal, all things fade, all

things go.

And I've been trying to identify the source of my good mood and all I can determine

is the only thing, I don't know, you know, here's what's nothing's changed, but maybe

I've sort of settled into something that I'm enjoying, you know, settled into a schedule

in which I feel productive and I'm doing work that I enjoy, but I'm not feeling like

I'm working too hard and for me working too hard would probably be anything in excess

of four hours a day because I am many things, but chief among them is lazy, I'm a bit lazy.

In that I don't want to, I don't want to be working all day, I don't have any interest

in that.

And, you know, like when I'm on a set, okay, and believe me, that's increasingly rare,

but when I'm on a set, the days are long, right, like you get there and you break it up

mentally into two parts because you know it's going to be a long day.

The first part is a six hour stretch, okay, the first six hours, why is the first six

hours critical?

Because after six hours on a set from the start of the call time is lunch.

And so you plan, I look ahead to lunch and that's where all my energy and hope is going.

...