4.8 • 797 Ratings
🗓️ 27 November 2018
⏱️ 13 minutes
🧾️ Download transcript
This week we have a special episode looking at the song 'Things Have Changed'. This was a great stand alone single that was issued at the start of a brilliant era for Dylan. It also won him an Oscar, here's his acceptance speech: https://www.youtube.com/watch?v=oib-Z-obsSk
We also got a music video too! https://www.youtube.com/watch?v=L9EKqQWPjyo
Don't forget to follow us on social media: instagram:
https://www.instagram.com/bobdylanpodcast/?hl=en
Twitter: https://twitter.com/bobdylanpodcast https://twitter.com/benburrell
Thanks for listening!
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0:00.0 | Hello, my name is Ben Borrell and welcome back to Bob Dylan album by album, a podcast that takes |
0:05.4 | an in-death look at each Bob Dylan studio recording record by record. Today we're not quite doing that |
0:10.8 | though. We're having a look at a single called Things Have Changed, a wonderful song that I'm sure |
0:14.8 | you're aware of. Before we get to that, don't forget you can follow us on Twitter and Instagram |
0:18.8 | and keep up to date with everything that's happening with this series. You can find us on both those at Bob Dylan Podcast. |
0:23.9 | And of course, the whole archive of series one and series two is available right now on |
0:28.4 | Bob Dylanpodcast.com. So let's take a look at the song that will become Dylan's most |
0:33.1 | awarded this century. It bagged of an Oscar and a Golden Globe and becomes a jewel in the |
0:37.9 | crown for a very fertile period. Not bad for a song that was rehearsed and recorded and mixed |
0:42.7 | within five hours. This place ain't doing me any good. I'm in the wrong town. I said there in |
0:49.6 | a hundred wood just for a second now. I heard I saw something blue. |
0:56.6 | This song sits between Time Out of Mind and Love and Thief |
0:59.7 | Involves Back Catalog and could have nestled easily on either album. |
1:03.5 | It shares a lot in common with Time Out of Mind's older statesman jaded themes |
1:07.3 | and also precedes the apocalyptic overtones found on modern times six years later. |
1:12.5 | There's some confusion about when and where the song was recorded. |
1:16.1 | It would appear it was cut in May 99 at Sterling Sound Studios in New York, |
1:20.5 | although it could have been done a month later, still in the Big Apple, this time at Sony Studios. |
1:25.5 | Either way, it was done with Bob's touring band at the time, |
1:28.1 | and it was a quick process. Drummer David Kemper says, we were touring and we had the day off in New York. |
1:33.9 | Bob said, tomorrow, let's go into the studio. I've got a song I want to record. We went in and played |
1:38.4 | things of change with only an engineer. We did two takes. The first was a New Orleansy thing. The second was what you hear. So in about |
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