4.8 • 639 Ratings
🗓️ 4 August 2023
⏱️ 75 minutes
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0:00.0 | Severed, the Ultimate Severance Podcast. |
0:10.2 | Welcome back, Refiner's. If you're here for more of this ride, I probably don't need to tell you, but I will anyway. |
0:20.3 | You're listening to Severd, |
0:21.9 | the ultimate Severance podcast. This is the third and final installment of our intense deep dive |
0:27.8 | into the 1985 movie, Brazil. This is what I'm calling Severed Origins. A look at those things |
0:34.9 | that inspired the creation of Severance. It's a great way to see |
0:39.7 | where severance came from. It's also a great way to kill some time until the strikes are settled |
0:44.7 | and we can all get back to our regular assignments on the severed floor. I'm your host, Alan S. |
0:50.7 | Okay, refiners, settle in with a fresh cup of coffee and open the file called Brazil. |
0:56.0 | It's time to get back into it. No recap, but as usual, huge spoilers for Terry Gilliam's |
1:01.3 | 1985 movie, Brazil. If you've somehow found this installment first, you definitely need to go |
1:08.9 | back and find parts one and two of the severed podcast covering Brazil. |
1:14.8 | Last we'd left, our intrepid government drone, Sam Lowry. |
1:18.8 | He'd managed to jump on the biggest street legal semi in the world and get in the cab with Jill Layton. |
1:24.9 | She's the woman who lived above Archibald Buttle and happens to |
1:28.1 | look like the girl from Sam's fantasies. This is an important distinction to keep in your head as we go |
1:33.4 | through these next scenes. Sam thinks he knows this woman. He thinks he's in love with this woman. |
1:39.7 | Jill does not know Sam as anything more than the government functionary who delivered a check to Mrs. |
1:45.7 | Buttle and who just claimed to have arrested her in the lobby of information retrieval. |
1:50.9 | She does not like this man, not for any personal reason, but because of what he represents in the government. |
1:58.1 | Sam tries to reason with her, telling her how much trouble she's in. |
2:01.6 | You are in terrible danger. You're an embarrassment, please. Please drive. Trust me, trust me. |
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