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Helping Writers Become Authors

S16:E24: The Hook (Secrets of Story Structure, Pt. 2 of 12)

Helping Writers Become Authors

K.M. Weiland

Arts

4.81K Ratings

🗓️ 22 July 2024

⏱️ 17 minutes

🧾️ Download transcript

Summary

Learn how the Hook grabs readers from the very first page with an irresistible question that piques their curiosity and keeps them reading.

Transcript

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0:00.0

Welcome to the Helping Writers Become Authors Podcast. I'm K M. Wyland and I am here to take you

0:07.8

deep with story theory, writing techniques, and the incredible wisdom of story.

0:13.3

I believe story is the greatest power on this earth,

0:17.0

and that as writers, we carry the torch of wielding that power

0:21.2

with responsibility, passion, and skill.

0:24.4

There is no such thing as just a story.

0:27.6

Today, it is my honor and my purpose

0:30.6

to help you write your best story,

0:33.0

astound the world, and maybe change your life.

0:38.0

Hello and welcome.

0:40.0

You are listening to The Secrets of Story Structure, Part 2, The Hook.

0:45.8

Readers are like fish, smart fish.

0:49.1

Fish who know authors are out to get them, reel them in, and capture them for the rest of their seagoing lives.

0:55.0

Like all self-respecting fish, readers aren't caught easily.

0:59.0

They aren't about to surrender to the lure of your story unless you present them with an irresistible

1:05.4

hook. Naturally, our discussion of story structure begins at the beginning, and the beginning of any

1:12.4

good story is its hook. Unless you hook readers

1:16.2

into your story from the very first chapter, they won't swim in deep enough to experience

1:22.1

the rest of your rousing adventure, no matter how amazing it is.

1:26.8

The hook comes in many forms, stripped to its lowest common denominator, it's a question. If you can peak reader's curiosity, you've got them.

1:37.0

Simple as that.

1:38.0

The beginning of every story should present character, setting, and conflict. But in themselves, none of these are the

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