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From the Ringer Podcast Network, this is Dissect, long-form musical analysis broken into short

digestible episodes.

This is the final episode of our season-long analysis of Kendrick Lamar's Mr. Moral and The Big Stepers.

I'm your host, Cole Kushner. Last on Monday Sector, we completed our analysis of Mother I Sober, the emotional and spiritual

apex of Mr. Morrell and the big steppers. It was there we heard Kendrick trace the roots of his trauma,

confront his guilt, forgive his mother, reflect on his cousin chaotic, and envision a new path for baby Keem,

Whitney, and his children. After completing his transformation and breaking his family

free from a generational curse, the song ended with a divine reunion between Kendrick and Whitney,

then their daughter, Uzi, signifying a relationship

healed and a family restored.

What transpired on Mother I Sober is both an end and a new beginning.

Uzi crowning Kendrick, Mr. Moral, to conclude the song, represents a new model of living,

one that rejects the mask and embraces the mirror, that exchanges moral acting

for authentic imperfection. No longer tap dancing for validation, Kendrick retires his big

stepper's shoes and exits the stage of public approval. What comes next on the album is

an epilogue. One final reflection, where Kendrick formally reveals the key to Mr. Morales'

...