Hello, are you doing? I'm Craig Parkinson. You are listening to the two-shot podcast.

Sit yourself down, pop the kettle on. We're going to have a nice old chat.

Who's in with this week? I'm going to tell you right now.

How the devil are you? Oh, hello. Yes, it's Thursday. I know it was Thursday last week and we weren't here, but we're back this week.

It's got off to busy all week, to be honest, because I now have the time to back up and get loads of episodes recorded, which is what I've been doing.

Sadly, without my partner in crime, producer Griff, because he's been visiting something else, which is a real shame, but I did sit down in person.

I went around to somebody's house. I can't say who it is yet, because we're just finalizing the episode and getting it all nice and clean and ready for you in a few weeks at time.

But this week kicked off in a rather lovely way, because I sat down with the wonderful Sean Evans now. I've known Sean for a few years.

Obviously, we haven't seen each other for a long time. He is quite a private man.

For him to come on this podcast is a big deal for me. Plus, he's a really nice guy. I just selfishly love spending some time with him.

We talk about avenues of creativity and all sorts of photography, storytelling, a little bit about acting, a little bit about training.

But generally, you will get a sense of who Sean is, and he's a lovely, lovely thoughtful man. Look, you're going to know Sean.

You've seen him recently on the BBC in Vigil, if you haven't caught up, it's on iPlayer.

Also, in that show is family friend of the podcast. I can say that Martin Compton, past guest and lovely, lovely fella, Connor Swindles.

And it's that's produced by our good friends at world productions. Also, Sean is at the theatre in London at the National Inn.

He's in a play called Manor, which runs until I believe New Year's Day. So if you're in London, you want to go to theatre, he's there.

And yeah, we'll just get down to it. I met up with Sean sadly over the computer, but it's a lovely conversation, and I'm so pleased to hear for it.

Let's get down to it. This is the two-shot podcast with the wonderful Mr. Sean Evans. Enjoy. I'll see you at the end.

It seems I'm recording, Sean Evans. How are you, my friend?

I'm very good. I'm very good. Lovely to see you, pal. I've seen you in eight years.

I know. I wanted to swing by and come and see you the other week after the press night of the play, but I had to dash off because I had to get back to Brighton,

where I was working with your friend and mine, the lovely Russell Lewis.

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