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Classic Ghost Stories

S02E62 Sir Gawain & The Green Knight

Classic Ghost Stories

Tony Walker

Fiction, Drama, Science Fiction

4.9686 Ratings

🗓️ 6 December 2021

⏱️ 127 minutes

🧾️ Download transcript

Summary

Sir Gawain & The Green KnightSir Gawain and The Green Knight is the original Christmas Ghost Story. Or technically a supernatural story set at Christmas in the kingdom of Logres ruled by King Arthur. It's pretty gothic.This is a prose translation of a Middle English poem called Sir Gawain and The Green Knight. The translation by Jessie Weston was published in 1898 and though it is certainly not Middle English she has left enough archaic words in to keep that flavour.Jessie Weston herself was born in 1850 in Surrey, England, the daughter of a tea merchant. When she was young the family moved to Bournemouth off England’s south coast and she began writing there. She studied in Hildesheim in Germany and in Paris and at the Crystal Palace School of Art in South London.  She was most famous for her studies of Arthurian romances and the Grail legend where she put forth the ideas that the material was actually pre-Christian and pagan in origin. T S Eliot’s The Wasteland was influenced by Weston’s Arthurian studies. The Green Knight as it stands was composed no later than the end of the 14th Century (the date of the manuscript) and may be much older. The language is Mercian influenced Middle English, probably from Lancashire. The boundary between Mercian and Northumbrian Old English runs through Lancashire and its dialect is influenced by both, but South Lancashire and Cheshire have Midlands’ such as pronouncing the ‘g’ in ‘king’ and ‘thing’.If you’re interested in Old English dialects, check out Simon Roper’s Youtube Channel for a real treat. The poem shows signs of oral storytelling with the rich, detailed descriptions that run in sequences and would probably delight an audience as they were elaborated. The themes are of honour and courage, as befitted the courtly audience, but also of love and fashion, which traditionally interest ladies. Tricky subject these days, but that was the established view for centuries. Things change. I for one embrace change, while I mourn what it lost. I’m a bit like the VoiceOver by Galadriel at the start of the Fellowship of The Ring movie.There are folkloric features which Weston perhaps emphasis because she was interested in them: He bears a holly bough to symbolise life and rebirth. He pole vaults over water as fairies can’t normally cross running water. The bargain is for a year and a day which is in all good fairy tales. The motif of the talking head appears again and again in Celtic stories: Bran the Blessed, and Bricriu’s Feast from the Ulster Cycle where the beheading challenge is seen. Of course the severed head is seen on a platter in the Perceval/Parsifal/Peredur Stories.The old lady in the castle is the famous with Morgana La Fee.“I trow” is “I think” or “I believe”“In sooth” is “truly”, “really” ‘fo sho’“Wit, wot, witen’ are ’to know’ . So “ I wit” is cognate with the German “Ich weiss” or the Dutch “ek weet”“List” is “like” or “please” “As he may list”  “As he pleases”“Welkin” is sky.“Hearken” is “hear, or listen to”Going through the recording as I edit, it strikes me that perhaps the green lace on the axe is the one that Gawain later gets from the lady and transpires to have been the knight’s. It was the magic of this lace that allowed him to survive the blow. Not sure why I didn’t figure that before. This is just what a modern author would be: place an item and bury it in detail so its significance isn’t grasped until much later.It’s mainly showing not telling too. We get some insight into Gawain’s thinking, but mostly the situations are simply described and we infer internal motivations and ruminations from what we hear. Described.I also think it’s Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcript

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0:00.0

Everybody dies, don't they?

0:17.7

Everybody come back.

0:19.8

Isn't that so?

0:21.6

You tried to get into the locked drawer today, didn't you?

0:24.4

How do the dead come back, mother?

0:27.1

What's the secrets of they'd come back?

0:29.0

Sir Gawain and the Green Knight by Anonymous,

0:34.7

translated by Jesse L. Weston and narrated by Tony Walker.

0:42.6

King Arthur lay at Camelot upon a Christmas tide, with many a gallant lord and lovely lady,

0:49.7

and all the noble brotherhood of the round table. There they held rich revels with gay talk and jest,

0:56.7

while they would ride forth to joust and tourney,

0:59.8

and again back to the court to make carols.

1:02.4

But there was a feast hold in fifteen days,

1:04.7

with all the mirth that men could devise,

1:07.4

song and glee glorious to hear in the daytime,

1:10.7

and dancing at night. Holes and chambers

1:13.6

were crowded with noble guests, the bravest of knights, and the loveliest of ladies, and Arthur

1:20.1

himself was the comeliest king that ever held accord. For all this fair folk were in their youth,

1:30.4

the fairest and most fortunate under heaven,

1:36.6

and the king himself of such fame that it were hard now to name so valiant a hero.

1:46.0

Now the new year had but newly come in, and on that day a double portion was served on the high table to all the noble guests, and thither came the king with all his knights when the service in the chapel had been

1:51.1

sung to an end. And they greeted each other for the new year, and gave rich gifts the one to the

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