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Recording Studio Rockstars

RSR551 - Meghan Gohil - Future-Proof Your Music with Atmos, Hybrid Chains, and Indie Strategy

Recording Studio Rockstars

Lij Shaw

Music

4.8543 Ratings

🗓️ 27 March 2026

⏱️ 94 minutes

🧾️ Download transcript

Summary

Meghan Gohil is a producer, mixer, and multi-instrumentalist based in Los Angeles. He runs Hollywood Recording Studio and GoHill Records, where he helps artists make professional-sounding records with smart workflows, hybrid mixing, and practical indie-release strategies. Get access to FREE mixing mini-course: https://MixMasterBundle.com

In this episode, Meghan and I talk about the process of building a modern home-studio setup that competes with commercial rooms, how to blend analog gear with digital tools, and the best ways to keep your music career moving forward without getting bogged down in perfectionism or industry red tape. We dive into his hybrid mix chain, using iZotope Ozone, Atmos mixing, AI-powered tools, Chartmetric analytics, and how to handle copyrights, PRO registration, and releases so your music actually earns and keeps growing.

THANKS TO OUR SPONSORS!

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https://open.spotify.com/playlist/5w9E4YLwH6hizr5gJmUZu3?si=WV3cLJCxSriMt5626Kc7vA

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Transcript

Click on a timestamp to play from that location

0:00.0

This episode of RSR is brought to you by Isotope Native Instruments, S-A-E-Institute, Adam Audio, Spectra

0:09.8

1964, Grace Design, and Picker. These are tools that I use every day in my studio from the Spectra

0:18.0

1964 STX-600 and Native instruments complete 15 to isotope ozone and

0:25.7

RX, atom audio monitoring and headphones, and the central hub for my studio, the Grace Design

0:33.4

M701 audio interface. Check out my studio profile on the Picker app on iPhone or Android and follow the sponsor

0:42.0

links in the show notes.

0:43.7

Grab my free mixing course at mixmasterbundle.com and remember to like this video and subscribe

0:50.1

on YouTube because it's a great way to help support this show.

0:54.0

Now get ready to rock.

0:56.4

So here's what I'd recommend to indie artists.

0:59.6

First thing, make sure you're registered with ASCAP, BMI, or C-Sat.

1:03.7

That's the most important thing.

1:05.6

The reason why it's important is if your music gets put on the radio

1:09.0

or if it gets put into a TV sync,

1:13.6

or if you're playing live gigs and you turn in a set list, you'll get money for it.

1:20.7

If you don't do that, you're basically leaving money on the table.

1:23.9

I'll start with the live music bit because a lot of bands don't know about it.

1:30.3

When you're with CSAC, ASCAP, or BMI, you can turn in your set list after you get done.

1:35.3

When you do that, there's a pool of money. They'll send you, you have to write down, I think, what the ticket price was, the capacity, things like that of the venue.

1:45.5

You send that information to them and then you get a check.

1:48.5

A lot of times just a few dollars here and there, but let's say you do 10 dates on a tour.

1:52.9

At the end of that, you might, if you're playing small places,

...

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