RSR267 - Marc Frigo - Mixing Multiple Musical Genres In The Box
Recording Studio Rockstars
Lij Shaw
4.8 • 543 Ratings
🗓️ 16 October 2020
⏱️ 124 minutes
🧾️ Download transcript
Summary
My guest today is Marc Frigo a mix engineer, recording engineer, and producer based out of Nashville, TN with multi-platinum credits and over 29 years of experience.
Marc started out in his hometown of Chicago in 1990 but relocated to Nashville, TN in early 1991 where he became a staff engineer at Woodland Studios. It was there that he was able to work with and learn from some of the best engineers and producers in the world, such as producers Peter Collins, Don Was, T-Bone Burnett, Tony Brown, Josh Leo, Jay Joyce and engineers David Leonard, Steve Marcantonio, Rick Will, Bob Bullock, Steve Tillisch, Bill Schnee, and so many others that were great mentors.
During his days as an assistant engineer, he worked on projects with Bob Seger, Keith Urban, Restless Heart, Tammy Wynette, George Jones, The Divinyls, Nancy Griffith, Larry Carlton, Gillian Welch, and the list goes on.
Eventually moving out of assisting and into engineering, Marc engineered and/or mixed projects for The Indigo Girls, K.T. Oslin, Nelson, Dez Dickerson (of Prince & The Revolution) Israel Houghton, Jewel, and Future Leaders of the World to name a few. Marc also recorded and mixed the "Larry Boy" theme song featuring Nicole C. Mullen for the popular Veggie Tales children's video series, which went on to sell 15 million copies.
Marc And I Met when I was interning at Woodland and I'm psyched to be reconnecting 25 years later!
Thanks to our sponsors!
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Transcript
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| 0:00.0 | This episode of Recording Studio Rockstars is brought to you by OWC, PreSonus, API Audio, Isotope, Sound Porter, Mastering, JZ microphones, and Spectra-1964, |
| 0:14.0 | on the JZB-B-29 microphone through the Spectra-1964 STX-100 Micpre, C-610 Complementer, and Isotope RX, and Ozone. |
| 0:24.4 | So get ready to rock. |
| 0:26.5 | I think 2003 is when I ended up trying to mix completely in the box. |
| 0:32.2 | It was very difficult. |
| 0:33.3 | It's become much easier. |
| 0:34.6 | I mean, the plugins have become much better. |
| 0:39.3 | I mean, Pro Tools has gotten much better. Some of the newer routing, I mean, |
| 0:40.8 | the new folder tracks is great. |
| 0:43.0 | You know, I've got one mixed template. |
| 0:45.0 | I pull it up, import the stuff into it, |
| 0:47.9 | delete whatever I don't need, |
| 0:49.2 | and get rocking. Rocking. Welcome to Recording. I'm Lid Shaw, and this is the podcast created to help you become a rock star of the recording studio. |
| 1:15.6 | I've got two words for you that will help you make your best record ever and not lose it. |
| 1:21.6 | Storage and backup. You want fast drives for composing and recording and reliable drives for backup so you don't lose all |
| 1:28.8 | your hard work when something goes wrong. That's why I chose OWC Mercury Extreme Pro 6G internal |
| 1:35.4 | SSDs for my studio computer and Mercury Elite Pro external drives for archiving. Discover the best |
| 1:42.0 | OWC drive options for your studio at macsales.com slash rock stars. |
| 1:50.5 | The Spectre 1964 STX-100 mic pre provides unequaled headroom and linear output regardless of transient |
| 1:58.5 | audio peaks, capturing critical details from your microphone. |
| 2:01.6 | The 100 series amplifiers were used by Tom Dowd, Muscle Shoals, and the record plant on records by Zizi Top, |
| 2:07.6 | Aerosmith, and John Lennon. Now you can get that same incredible sound in your studio at spectra-1964.com |
... |
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