4.3 • 657 Ratings
🗓️ 26 May 2025
⏱️ 45 minutes
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0:00.0 | Okay, we are alive. Hi, this is William Ramsey. Welcome to William Ramsey Investigates on today's show. |
0:08.2 | I have a very special guest, returning guest. She goes by criminal justice Chris, and her blog is at medium.com at criminal justice Chris. |
0:18.0 | This will be the second appearance on my show. we talked back in February on a show I titled |
0:24.4 | a cult son of Sam and the dark psychosphere of the 1970s New York City and this story is actually |
0:31.9 | part of that dark psychosphere around then actually leading up to 1983 but a lot of 70s material and you'll see |
0:40.2 | this article we're going to cover amongst other articles and stuff that she's |
0:44.3 | been writing she's been publishing a lot recently but this article in particular |
0:49.3 | somebody I haven't covered in my show his name is Roy Radin R-A-D-I-N. And the full title of her article is |
0:56.6 | Roy Raiden, The Showman, The Scheme, and the Shadowy End. And there's a lot to this guy's story. |
1:02.4 | And a lot that overlaps with some people I've studied, and we're talking about Peter Labunda, |
1:07.2 | but she can talk more about that. So, Chris, welcome back to the show. |
1:10.5 | Thank you for having me. |
1:12.0 | For people who didn't hear our earlier show or anything like that, maybe you can do a little background, your interests, and whether that up to the publication of this particular article, Rory Raid and the showman, the schemes, and the shadow of you know. |
1:25.4 | I'm mostly interested in occult symbolism. |
1:29.3 | And to put this in perspective, I'm going to go ahead and quote a book that you've written, |
1:35.3 | Prophet of Evil, Alastair Crowley, 9-11, and the New World Order. |
1:40.3 | There is an Elphus Levy quote in it that says, |
1:45.0 | we have said that there's no religion without mysteries. |
1:47.4 | Let us add that there are no mysteries without symbols. |
1:50.7 | The symbol being the formula or the expression of the mystery |
1:54.2 | only expresses its unknown depth by paradoxal images |
1:58.0 | borrowed from the unknown. |
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