MUSIC

The Treehouse, episode 27, room service with Danny Baker and me Louise Pepper.

Very good morning everybody. Here we go again with another three hours of fun for old and young without the slightest hint of vulgarity.

There is a little, little ruse tinge to some of these. We never try and carbon date these. There's no point we don't know when you listen into them.

Don't look at us like that. We don't check that much interest.

We, of course, sort of the beginning of a phase in the world which is at the moment in crisis.

So there's no point we never mentioned that word normally because we look up and not down.

We are typically, we are, we are, we are, we are timeless, not topical. But it has to be said.

We're sitting here in this airless pod. And, and Pepsi and I have been eyeing each other with wild some eyes.

It's like the final scene of John Carpenter's The Thing in here.

How about you? How you found find? Don't look at me. How you? It is.

I noticed this is very, very chilled in here and I think it's to detect any bead of sweat that brings that to the bottom of the ground.

I thought it was your mood. But it is the end of the thing, of course, John Carpenter's the thing when he goes,

it looks like it's just you and me left. One of us could be infected and it goes,

it looks like we're going to find out. And the camera just lifts away in that Antarctica winter in 1982.

John Carpenter's The Thing. But that's not our thing at all.

Yes. It is more our speed and a very, very good morning as I say.

Last time we mentioned wheels, you've got a thing on wheels, am I dear?

Yes. I mean, we've got a cooler.

I'm the eye that never sleeps, I leave here and we're immediately trying to find out stuff.

So, about these three wheels, these are the three great wheels, 1871.

S. Sandborn, Hatter. That's all we know about him.

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