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Desert Island Discs

Ronald Eyre

Desert Island Discs

BBC

Music, Personal Journals, Society & Culture, Music Commentary

4.314.3K Ratings

🗓️ 24 February 1991

⏱️ 37 minutes

🧾️ Download transcript

Summary

The castaway in Desert Island Discs this week is theatre and television director Ronald Eyre. A man of great versatility, he'll be talking to Sue Lawley about his many outstanding operatic and theatrical productions, as well as his school-teaching days, and his childhood in the Yorkshire mining village of Mapplewell.

[Taken from the original programme material for this archive edition of Desert Island Discs]

Favourite track: The Magic Flute - The Trio Soll Ich, Teurer by Wolfgang Amadeus Mozart Book: A talking book by Judi Dench Luxury: Supply of flower bulbs

Transcript

Click on a timestamp to play from that location

0:00.0

Hello, I'm Krestey Young, and this is a podcast from the Desert Island Discs archive.

0:05.0

For rights reasons, we've had to shorten the music.

0:08.0

The program was originally broadcast in 1991, and the presenter was Sue Lawley. My cast away this week is a man of many parts. His main body of work has been in the theatre where he's directed dozens of outstanding productions,

0:37.0

but he's also written plays, made television documentaries,

0:41.0

and appeared as a presenter and interviewer. He actually began his

0:45.1

professional life as a schoolmaster having obeyed his parents' wishes to

0:48.9

improve himself by leaving his Yorkshire coal mining home to study English at Oxford.

0:55.0

Today his versatility suggests a man who still enjoys self-discovery, if not improvement,

1:00.0

that perhaps he leaves for his audience.

1:03.4

Here is Ronald Ere.

1:05.2

It is your versatility that strikes one about your career.

1:08.9

Directing, producing, presenting, comedy, tragedy, opera.

1:13.0

Did you plan it that way or are you just a man who can't say no?

1:16.7

Maybe it's a man who can't stand in one place.

1:18.9

I mean you could look at it as backing endlessly from one thing into another so that you find that you were doing

1:24.4

one thing your horror at it propels you backwards into something else so there is

1:29.2

a negative side to it I like to think of myself as the ultimate freelance and the resident outsider to anything

1:35.0

but anybody is trying to institutionalize but I think it has positive and negative.

1:40.0

But part of the freelance mentality is of course that you're worried nobody will ask you if you keep saying no, so you keep saying yes.

1:46.3

I'm not sure about that. I think the worst advice I got to when I became a freelance having been in the BBC was that I must accept every job. I think the opposite is the case.

1:55.1

You must only accept those jobs that light you up and that you think you can really make something

1:59.6

of because it's on that that you'll get your next job.

...

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