Ronald Blythe
Desert Island Discs
BBC
4.3 • 14.3K Ratings
🗓️ 15 April 2001
⏱️ 37 minutes
🧾️ Download transcript
Summary
Admired as a keen observer and chronicler of rural life, Ronald Bythe is perhaps best known for his 'oral histories' - Akenfield: Portrait of an English Village, which won the Heinemann Award in 1969, and The View in Winter: Reflections on Old Age. In conversation with Sue Lawley, he talks about his life and work and chooses eight records to take to the mythical island.
[Taken from the original programme material for this archive edition of Desert Island Discs]
Favourite track: Die Wetterfahne by Franz Schubert Book: Life of Johnson by James Boswell Luxury: Lots of paper with pens
Transcript
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| 0:00.0 | Hello, I'm Kirstie Young, and this is a podcast from the Desert Island Discs archive. |
| 0:05.0 | For rights reasons, we've had to shorten the music. |
| 0:08.0 | The program was originally broadcast in 2001, and the presenter was Sue Lolly. My castaway this week is a writer and countryman. He was educated, he says, in the library, because it was as a reference librarian after he left school that he immersed himself in 17th and 18th century literature. He wrote short stories and |
| 0:45.1 | poetry and then more than 30 years ago the book which made his reputation. |
| 0:49.8 | It's called Aikenfield, an imaginary name, but a real enough place. |
| 0:55.0 | He interviewed people in the part of Suffolk in which he still lives, editing their memories |
| 0:59.0 | and observations to create a complete and beautifully observed picture of English rural life. |
| 1:05.0 | As Aikenfield has become a classic, |
| 1:07.0 | so its author has become this country's literary custodian |
| 1:11.0 | of its rural values. |
| 1:12.0 | The English year goes round, he says, marking our lives |
| 1:16.3 | and doing far more than politics to shape our national characteristics. He is Ronald |
| 1:21.8 | Blythe. Are we still so influenced are you saying Ronald even in this sort of urbanized technological 21st century by what you call the English year? |
| 1:33.0 | We would like to be, it's a longing to be influenced, and I think we are influenced to a great degree by the |
| 1:39.0 | pattern of the year, perhaps because of the seasons in England which are very defined. |
| 1:43.0 | The winter and springs and autumn is very distinctive. |
| 1:46.4 | But I think there is a hanging on, really, to the shape of life as it used to be. |
| 1:51.9 | People want the old village life and they do find it in certain |
| 1:56.3 | institutions, shall we say the church or a little church school or something like that or in certain societies, |
| 2:01.5 | particularly bellying societies and horticultural societies. |
| 2:05.4 | When these things occur, the old thing comes back with a rush. |
| 2:09.7 | Do you think people come to the countryside, they come and try and live in the countryside |
... |
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