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0:00.0 | You are a human animal. |
0:07.0 | You are a very special breed, |
0:11.0 | or you are the only animal, |
0:15.0 | who can think, who can reason, who can read. |
0:18.0 | Hi, this is Michael Silverblad, and welcome to Bookworm. |
0:21.3 | Today, my guest is Ronald Sukenik, |
0:23.2 | who's one of the co-directors of the Fiction Collective, |
0:26.7 | which has been bringing us for many years |
0:29.6 | some of the most exciting work in modern American fiction. |
0:34.2 | He's the author as well of the collection of pieces called Doggy Bag, which the |
0:40.5 | Fiction Collective has published under its imprint Black Ice books. He's the author as well |
0:46.7 | of novels starting with up, continuing without. He's written 98.6. He's written a history of the Bohemian Underground called |
0:57.7 | Down and In, and he's with us today to talk about the fiction collective and about Doggy Bag. |
1:05.8 | Now, my own background had been in, I guess, you know, the height of late 60s, eventually postmodernism. |
1:19.2 | I was taught by John Barth and Donald Barthelme, but your own work seems to come out of a more village hipster tradition. |
1:31.4 | Who were your influences? |
1:33.5 | I think we're influenced more by Borges and the Latin American Renaissance of the novel. |
1:39.4 | I came more out of a line that includes Henry Miller, D.H. Lawrence, the French of Angardis, |
1:48.2 | and some older books like Lawrence, Stearns, Tristram, Shandy, and Rabelais. |
1:55.6 | In addition, I think I was heavily influenced by jazz and jazz improvisation. |
2:00.7 | When you say the French avant-garde, |
2:03.0 | are you talking Celine and Sandrard? |
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