Roma Agrawal on Mrinalini Sarabhai
Great Lives
BBC
4.2 • 1.3K Ratings
🗓️ 18 January 2022
⏱️ 28 minutes
🧾️ Download transcript
Summary
Mrinalini Sarabhai was an Indian classical dancer specialising in Bharatanatyam and becoming the first woman to perform Kathakali. She was very successful and performed around the world, with one reviewer in Paris calling her the 'Hindu atomic bomb'. She married prominent scientist and industrialist Vikram Sarabhai and together they would rub shoulders with ambassadors and Presidents. Men would see her dance and fall in love with her. She performed for The Queen in India. Later on, she used dance as a means of addressing social issues such as the 'dowry deaths' where brides were being set-alight and killed, and as a result of her work the governmental order the first ever inquiry into the issue.
The engineer and author Roma Agrawal is best-known for her work on The Shard in London. She trained in Indian classical dance and for her Mrinalini provides a continuous thread back to her own Indian heritage in Mumbai. She's joined by Indian classical dancer Santosh Nair, with contributions from Mrinalini's daughter Mallika Sarabhai.
Presenter: Matthew Parris Produced for BBC Audio in Bristol by Toby Field.
Transcript
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| 0:00.0 | Hey, let me ask you, sir. |
| 0:03.8 | Have you heard George's podcast? |
| 0:06.1 | Me and Ben Brick are back with a blast. |
| 0:08.1 | This time with stories from Africa's past, not too distant, unsolved mysteries, unsung |
| 0:13.8 | heroes from untold histories. |
| 0:15.8 | I'm trying to make sense of the present day, join me on this journey by pressing play. |
| 0:23.8 | Have you heard George's podcast, Chapter 4? |
| 0:27.2 | Listen on BBC Sound. |
| 0:34.2 | Paris, March 1949. |
| 0:39.3 | There's snow falling and it's extremely cold. |
| 0:42.8 | In the Palada Shayo Theatre, a thin Indian woman waits to go on stage. |
| 0:48.9 | She's nervous. |
| 0:50.2 | The theatre is full and they are a demanding audience. |
| 0:53.9 | The stage is five floors above ground level and big enough she says to hold a circus. |
| 1:00.3 | There are no props and no decor. |
| 1:03.5 | The stage is bare. |
| 1:05.9 | She begins to dance. |
| 1:07.6 | Her limbs and fingers move to tell a story. |
| 1:10.9 | Her face and eyes spelling out the themes of life, of death, of love and hate, of the |
| 1:17.4 | struggle between good and evil. |
| 1:20.1 | The dancer's name is Manalani Sarabai. |
| 1:23.9 | At the end of this performance, she receives a standing ovation with one newspaper calling |
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