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0:00.0 | You are a human animal. |
0:07.0 | You are a very special breed. |
0:11.0 | Or you are the only animal. |
0:15.0 | Who can think, who can reason, who can read? |
0:19.0 | Hello and welcome to Bookworm. |
0:22.5 | This is Michael Silverblatt, |
0:24.6 | and today my guest is Robert Olin Butler. |
0:28.5 | He's the author most recently of the Deep Green Sea. |
0:31.1 | Previously, tabloid dreams, |
0:34.8 | They Whisper, A Good Sent from a Strange Mountain, |
0:36.6 | for which he won the Pulitzer Prize and several novels before that. |
0:39.5 | Now, the new book, The Deep Green Sea, continues many of the themes to be found in the Robert |
0:48.3 | Olin Butler canon or corpus. And one of those is the obsession with an abandoned child or a missing child, |
0:59.0 | a concern that has recurred both in the American and the Vietnamese novels. And it seems to me to be one of several obsessions that govern |
1:17.6 | the ongoing work. I wondered if you would talk about that a bit. |
1:21.6 | It's always good to interview with you, Michael, because you always pick up on some absolutely |
1:27.9 | wonderful and valid motifs in the work that I hadn't given a lot of thought to, but |
1:31.5 | you're absolutely correct about that. |
1:36.4 | Then it goes back to On Distant Ground and beyond some of the earlier novels as well. |
1:44.0 | I don't know quite where it all came from. |
1:46.6 | I'm a father of one son who's now out here in L.A. and working in the film business. |
1:57.1 | And it was, as a father, I found that sense of protectiveness and deep attention to the child |
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