Oh, I always say that when Rob and I were there for the four shows, I think what we don't

realize, even though we didn't get a sketch on, in quotes.

But being at the rewrite table and being around the office, you can just tell if you're

in the game that long, like they were.

Just by saying we're pitching throwaway jokes in sketches on rewrites, I think just hearing

someone talk at lunch or dinner or hearing pitches by the end, you can go, they've got

game or not.

Like they can tell like just from what I heard, the little bits were on the right track

with these guys, because I'm sure they went to Downey Lauren said, what do you think?

Do you want these two clowns back and then, you know, smile or fight and chip?

I'll tell you something that's important as well.

And that, and especially Lauren, like he wants to hire people he can go to dinner with.

He wants to hire people that really have a high social IQ in the room and you two qualify

for that.

As far as integrating in with everybody, you guys had a lot of charm and you wouldn't over

talk, you'd insert, you know, and so that, part of the reason you're there besides your

great comedy chops was just social skills.

And Lauren really picks up on that, you know, you get along well.

And I just want to say, I'm going to tear up, but Rob, who wrote Il Cantorri?

Because that was one of my favorite moments I ever did on the show.

And I did not write.

I will tell you, that was influenced by an experience that Adam and I had.

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