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0:00.0 | Funds for Bookworm are provided in part by Lannin Foundation. |
0:07.1 | You are a human animal. |
0:11.3 | You are a very special breed. |
0:15.1 | Or you are the only animal. |
0:18.7 | Who can think, who can reason, who can read. |
0:22.4 | From KCRW, Santa Monica, |
0:24.9 | I'm Michael Silverblatt, and this is |
0:26.8 | Bookworm. Today I'm happy to |
0:28.8 | have as my guest, Riggie |
0:30.7 | Du Corne, whose newest novel |
0:33.0 | Gazelle has been published |
0:35.2 | by Knopf. |
0:36.7 | She's been a very loved guest on the program, |
0:40.7 | and she has among her books a trilogy of novels entering fire, the fountains of Neptune, |
0:49.9 | and the Jade Cabinet. Her short stories, or at least the first group of them, were gathered |
0:55.9 | together in the complete butcher's tale. She's the author of Phosphor in Dreamland, The Fan |
1:02.8 | Maker's Inquisition. There is a book-length series of interconnected essays called The Monstrous |
1:10.1 | and the Marvelous, which was published by City Lights. |
1:13.7 | The word desire was an earlier book of short stories, and now Gazelle, which in many ways |
1:19.1 | seems like the most, in certain ways, the most linear of the book so far. |
1:28.0 | And yet it ends with a prediction, in a sense, |
1:34.7 | that the book is meant to give birth to something non-linear. |
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