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Desert Island Discs

Richard Wilson, actor and director

Desert Island Discs

BBC

Society & Culture, Music Commentary, Music, Personal Journals

4.413.7K Ratings

🗓️ 20 June 2021

⏱️ 37 minutes

🧾️ Download transcript

Summary

Richard Wilson is an actor and director who became a household name when he played the part of Victor Meldrew in the BBC sitcom One Foot in the Grave. Richard was born in Greenock in Scotland in 1936. As a child he performed in amateur drama productions and harboured a secret desire to become an actor. He left school at 17 and trained as a laboratory technician at Stobhill Hospital in Glasgow. Following National Service in Singapore, he moved to London and at the age of 27 successfully auditioned for a place at RADA. His first role was as a stonemason in Dr Finlay’s Casebook and he later reached a wider audience playing snooty Jeremy Parsons QC in the television series Crown Court. Richard went on to carve out a successful theatre and television career as both an actor and director. He starred in the comedy Only When I Laugh and later in the series Tutti Frutti alongside Emma Thompson and Robbie Coltrane. In 1990 he delighted audiences with his portrayal of the grumpy pensioner Victor Meldrew in One Foot in the Grave, with his catchphrase ‘I don’t believe it!’ – a phrase which has haunted Richard ever since. The series regularly attracted an audience of 17 million viewers and Richard won two BAFTAs for his performance. Richard received an award for his outstanding contribution to film and television at the Scottish BAFTAs in 2013. DISC ONE: Symphony No. 6 in D Minor (4th movement) composed by Jean Sibelius, performed by the Berlin Philharmonic, conducted by Herbert von Karajan DISC TWO: Farewell to Stromness by Peter Maxwell Davies DISC THREE: Im Abendrot from Four Last Songs, composed by Richard Strauss, performed by Renee Fleming and the Houston Symphony Orchestra, conducted by Christoph Eschenbach DISC FOUR: The Rite of Spring, composed by Igor Stravinsky, performed by the City of Birmingham Symphony Orchestra, conducted by Simon Rattle DISC FIVE: Cucurrucucu Paloma by Caetano Veloso DISC SIX: The First Time Ever I Saw Your Face by Roberta Flack DISC SEVEN: Hammond Song by The Roches DISC EIGHT: Elgar’s Cello Concerto in E Minor (first movement) by Sheku Kanneh-Mason (cello) BOOK CHOICE: The poetry of Robert Burns LUXURY ITEM: A subscription to The Guardian newspaper CASTAWAY'S FAVOURITE: Im Abendrot from Four Last Songs, composed by Richard Strauss, performed by Renee Fleming and the Houston Symphony Orchestra, conducted by Christoph Eschenbach Presenter: Lauren Laverne Producer: Paula McGinley

Transcript

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0:00.0

BBC Sounds Music Radio Podcasts

0:04.6

Hello, I'm Lauren LeVern and this is the Desert Island Disks podcast.

0:08.3

Every week I ask my guests to choose the 8 tracks, book and luxury they'd want to take

0:13.0

with them if they were cast away to a desert island.

0:16.4

And for right reasons, the music is shorter than the original broadcast.

0:20.9

I hope you enjoy listening.

0:43.6

My cast away this week is the actor and director Richard Wilson.

0:47.9

His career on stage, screen and in the director's chair stretches back over 50 years, but his

0:53.8

star rose to new heights when, in his mid-50s, he took on the role of perpetually apoplectic

0:59.7

pensioner Victor Maldru in one foot in the grave.

1:03.3

In the course of just 36 episodes, the series changed his life and spawned an unlikely folk

1:09.2

hero.

1:10.2

It's still frequently voted one of the best sitcoms of all time.

1:13.6

I was, he says, always a late developer.

1:17.7

When in Greenock, he nursed the dream to act from an early age, moving to London to be

1:22.0

closer to the worlds of film and theatre.

1:24.3

A chance in counter led him to jack in his steady job as a hospital lab technician and take

1:29.3

him a place at Radha as a mature student.

1:32.9

As an actor, he strives to keep a distance between himself and his characters for the sake

1:37.4

of his craft.

1:38.6

His focus rests on getting an audience to, to coin a phrase, believe it.

1:43.3

He says, if the performance is going to astonish, if a human being is able to be truly metamorphic,

...

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