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0:00.0 | Funds for Bookworm are provided in part by Lannin Foundation. |
0:05.0 | You are a human animal. |
0:11.0 | You are a very special breed. |
0:16.0 | Or you are the only animal. |
0:20.0 | Who can think, who can reason, who can read. |
0:24.1 | Hello, and welcome to Bookworm. |
0:26.3 | This is Michael Silverblatt, and today my guest is Richard Slotkin. |
0:29.8 | He's published a fictional biography of the childhood of Abraham Lincoln called Abe. |
0:37.7 | It's a novel from Henry Holt and Company, |
0:40.2 | and he comes to this book from a long history |
0:44.2 | of distinguished scholarship in what you call American Studies. |
0:51.2 | Most famously, the first book he wrote |
0:53.8 | was a book called Regeneration Through |
0:55.9 | Violence. It was the beginning of a trilogy that included the fatal environment and gunfighter |
1:02.9 | nation, most recently the myth of the frontier in 20th century America. Richard Slokkin with Abe, |
1:10.4 | published by Henry Holt. Now, I wanted to begin |
1:15.2 | by asking what exactly a fictional biography might be, particularly because there have been quite a few |
1:26.0 | recently. That is to say, the most recent Joyce Carol Oates book is a fictional biography of Marilyn Monroe called Blonde. |
1:36.9 | Susan Sontag has written a fictionalized life of the Polish actress, Helena Majeska. |
1:44.0 | And when Morris wrote his biography of Ronald Reagan, |
1:50.1 | it became controversial and even despised, repudiated to some extent, because it contained |
1:57.3 | fictional sections of projection by the author. So what is this for? |
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