Summary
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| 0:00.0 | Funds for Bookworm are provided in part by Lannin Foundation. |
| 0:07.2 | You are a human animal. |
| 0:11.4 | You are a very special breed. |
| 0:15.0 | Or you are the only animal. |
| 0:18.5 | Who can think, who can reason, who can read. |
| 0:21.6 | From KCRW, Santa Monica, I'm Michael Silverblatt, and this is Bookworm. |
| 0:26.6 | Today I'm very honored to have as my guest, Richard Ford. |
| 0:30.6 | His newest novel is The Lay of the Land, published by Knopf. |
| 0:34.6 | It is the third book in a trilogy of books that began with a sports writer. The second book was Independence Day. And now you've been with Frank Bascom, the hero of these books, for how many years? |
| 0:47.6 | 25. So you know something that very few other writers and very few living writers know. What is it like to inhabit |
| 0:57.5 | a character for that long? Well, I don't know if that's the word I would use, inhabit it, |
| 1:04.9 | and indeed, over the course of three books, I have written other books in between. |
| 1:11.4 | And so it's more a matter of, first of all, going and fetching something that you think you used to have, |
| 1:20.3 | which is to say a measuring voice, which is Frank's voice for me. |
| 1:25.2 | And it's more projecting it. |
| 1:28.6 | You know, Graham Green said that writers are people who impersonate other people. |
| 1:34.9 | And so that's what I think I do without the notion of inhabiting. |
| 1:39.7 | For me, it's more important to make something a character or narrative arc that's separate |
| 1:47.6 | from myself, that I kind of operate sort of at arm's length a bit. |
| 1:54.0 | I sometimes think it's like, it's like Bergen and Charlie, you know, I've got my hand, |
| 2:00.6 | I've got my hand in his back and I'm making him say these things |
| 2:03.4 | and making his head move and making him respond, but never fully getting in signed. |
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