4.6 • 2.3K Ratings
🗓️ 17 October 2016
⏱️ 13 minutes
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0:00.0 | This weekend, RetroNuts. |
0:01.3 | Rest the old order and create a new society! |
0:04.5 | Yeah! |
0:05.5 | Ha ha ha! |
0:36.9 | I achieved a personal milestone this past week. |
0:53.4 | I received a copy of a video game soundtrack released to which I personally contributed. |
0:58.3 | Not as a musician, mind because the only musical ability I ever possessed evaporated a few years |
1:02.5 | ago when my voice began to shrivel up with age and lose all its range. |
1:06.5 | No, I wrote liner notes for a vinyl compilation of Zoon Tata soundtracks for Shiptoshor |
1:11.2 | Foto. |
1:12.2 | It's not really a big deal in the grand scheme of things, it's not like a release this |
1:15.5 | niche focused is precisely going to be a million seller and other people write album |
1:19.4 | liner notes all the time. |
1:20.4 | But it's a big deal for me personally because music has always been an important focus |
1:25.0 | of my work as a member of the games press. |
1:27.0 | Ah, maybe not so much in the past few years, but back when gaming websites actually had |
1:30.6 | budget to spend on such things, I always prioritized tracking down and interviewing game composers, |
1:35.5 | especially Japanese game composers. |
1:37.7 | Some of my favorite interviews over the years have been with composers in fact from Hidinori |
1:41.4 | Meizawa to Hipponaka to Hirano Osaka Guchi. |
1:44.3 | I love music, I love games, I love game music, and I love talking to the people who make |
1:48.9 | music for games. |
... |
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