We're so thrilled to be joined by the incredible Karrmen Crey (she/her) for this episode about FX's coming-of-age dramedy, Reservation Dogs! Released via Hulu from 2021-2023, this show is notable not only for its rich storytelling and beloved protagonists (shoutout to Bear, Cheese, Elora, and Willie Jack!), but also for its entirely Indigenous creative team from the creators to the cast and crew. In this episode, Marcelle (who is a huge fan of the show) offers some insight into how Reservation Dogs came to be. We're talking co-creators Sterlin Harjo and Taiki Waititi, the success of Thor: Ragnarok, and the influence of both The Sundance Film Festival and Toronto’s imagineNATIVE Film and Media Arts Festival. Karrmen then helps Marcelle and Hannah think through Indigenous sovereignty in the context of cultural production, pulling on her own research about the rise and influence of Indigenous media. And then, FINALLY, Marcelle, Hannah and Karrmen talk about specific episodes and characters that mean something to each of them. If you haven't watched the show already, you'll still get a ton out of this episode that really breaks down the material effects of representation created by the represented.

Karrmen Crey is an Associate Professor in the School of Communication at Simon Fraser University. To learn more about her work, check out Producing Sovereignty: The Rise of Indigenous Media in Canada, available now!

You can learn more about Material Girls at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca. We'll be back next week with a bonus episode, but until then, we mean it — go check out all the other content we have on our Patreon at Patreon.com/ohwitchplease! Patreon is HOW WE PAY OUR TEAM! We need your support to make the show. Thanks again to all of you who have already made the leap to join us on Patreon.

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Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.

*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment.

Music Credits:

“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020

Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.

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