4.4 • 34.4K Ratings
🗓️ 15 December 2023
⏱️ 51 minutes
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0:00.0 | Support for this podcast comes from the New Bauer Family Foundation, supporting W. HYY's Fresh Air |
0:06.7 | and its commitment to sharing ideas and encouraging meaningful conversation. |
0:11.2 | This is Fresh Air. I'm David Bien Cooley. Today's show is devoted to |
0:15.8 | Norman Lear, the sitcom producer who helped transform television of the 1970s by |
0:21.5 | stressing topicality, divisive issues, and likeable but volatile comedy |
0:26.7 | characters. He died last week at age 101. |
0:30.9 | Lear's most famous achievement, All in the Family, was the most popular series on TV for five consecutive years. |
0:40.0 | That show spawned several hit spin-offs, including Good Times and The Jefferson's, and Lear created many other comedies as well. |
0:48.0 | Most of them were instant successes. |
0:51.0 | But even the lesser-seen cult shows were fascinating. |
0:55.0 | On today's show, we'll listen back to our interview with Norman Lear. |
0:59.0 | We'll also revisit interviews with Esther Roll, the star of Good Times, and John Rich, who |
1:05.0 | directed one episode of Good Times and 81 episodes of All in the Family. |
1:11.1 | But first, let's put Norman Lear's legacy in its proper perspective. |
1:15.0 | Like M.T.M. Enterprises with the Mary Tyler Moore show, and Larry Gellbart with Mash, |
1:21.0 | Lear was a TV pioneer of sorts. |
1:24.1 | Part of a new tolerance and appetite for comedies that actually said something, |
1:28.5 | rather than just offered total escapism. |
1:31.8 | Lear adapted his first sitcom hit, All in the Family, from a long-running British |
1:36.2 | sitcom called, Till Death Us Do Part. But Lear made his version utterly American from the |
1:42.4 | start. The first episode of All in the Family was so controversial, it was preceded by an on-air disclaimer. |
1:49.0 | But the clash of ideas and ideals between bigoted Archie Bunker and his son-in-law, whom Archie called |
... |
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