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Studio 360 with Kurt Andersen

Rebels without a pause

Studio 360 with Kurt Andersen

PRX

Arts

4.6675 Ratings

🗓️ 21 June 2018

⏱️ 51 minutes

🧾️ Download transcript

Summary

Thirty years ago, Public Enemy brought the revolution to hip-hop with “It Takes a Nation of Millions to Hold Us Back.” Kurt Andersen talks with the graphic designer Bonnie Siegler about the history of protest art. And the newspaper comic “Nancy” gets a reboot and its first female cartoonist. 

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Transcript

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0:00.0

From PRX

0:03.4

This is Studio 360.

0:10.0

I'm Curtis, and I'm sitting on the steps of the Lincoln Memorial.

0:13.1

This first level of garden.

0:14.4

This is Thomas Jefferson's vegetable garden.

0:16.3

I like to have the roasted chicken base.

0:17.9

Very well done.

0:19.1

Editing is all about timing.

0:23.3

I try to get a little bit away from the actual subject.

0:25.2

You must get sick of your own voice, right?

0:28.8

Studio 360. It's good. Anderson.

0:41.9

In the 1970s, Carlton Douglas Ridenhauer was a teenager in Queens, New York, and went to his first hip-hop show.

0:51.1

The music hadn't started yet, and he didn't quite know what to make of the equipment he saw on stage, as he told an interviewer in 2001.

0:55.0

I was totally confused. I was like, why they need two turntables? Case the one over there breaks down.

0:58.0

This person is very prepared.

1:01.0

He figured it out, had his aha moment, and in short order became a rap superstar himself.

1:10.0

Ridenauer is much better known by his stage name, Chuck D.

1:14.8

And Chuck D. is, of course, the leader of the group Public Enemy.

1:19.1

30 years ago this week, Public Enemy released,

1:21.5

It Takes a Nation of Millions to Hold Us Back.

1:24.3

That album was aggressively political and generally considered one of the most important ever.

1:31.9

Our story of the Public Enemy album that dropped this week in 1988 begins with a long-time fan of the band.

...

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