What's happened to music, you know, they want to have this rebellious image.

And I'm like, you guys are total tools for the state.

All righty, folks, welcome to the virtue signal. I'm Alfonso Rachel with my buddy Bill Whittle.

Man, what song do I want to break out with? How about some Detroit Rock City? I want to rock and roll all night.

You see where I'm going? We're going to talk a little bit about. Great, great song. Right. Um, Kiss, man. Paul Stanley, Paul Stanley did something that was very, I mean,

reminiscent of something that was was punk rock, man. He went against the grain for the right reasons. I mean, man, look, I remember, you know, like when punk rock was coming out, you know,

it was supposed to be against the establishment, against this rule of people.

It's like, you know, it wasn't so much about being, they had the right idea in terms of like,

you know, look, the establishment is running everything and it's just not running things the right way,

right?

Now, you can be against that

that's fine but you still you got to have like some sort of better contingency in mind if not then

you're just kind of like a rebel without you know you rebel without a clue right um but you at least

your instinct is telling you something is wrong and the powers that be are running these things the

wrong way.

And, you know, that was kind of like getting into the essence of punk rock and rock and roll,

you know, you know, these virtuous brats.

But so Paul is going to give a harken back to that, you know,

and going to go against the grain of the powers to be because right now the ones that have the power, man, are nuts.

And they have become the bullies.

They have been the ones coming and running everything.

And Paul Stanley, you know, breaks forth and says, look, this fad, just paraphrasing here, and he did call it a fad, this fad of basically mutilating these kids in the name of transgenderism and stuff like that, you know, it's a very dangerous thing to be doing,

...