Reality shows are much older than you think
Think from KERA
KERA
4.7 • 911 Ratings
🗓️ 18 July 2024
⏱️ 47 minutes
🧾️ Download transcript
Summary
Reality TV is known for its shock value and guilty pleasures, but it’s also become an art form in and of itself. Emily Nussbaum, staff writer at The New Yorker, joins host Krys Boyd to discuss the history of reality TV – from the Loud family in the 1970s to “Cops” and “The Bachelorette” – and what makes it an intriguing and controversial genre even in today’s saturated market. Her book is “Cue the Sun! The Invention of Reality TV.”
Transcript
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| 0:00.0 | The thing about reality television, whether you openly love it, loathe it, or consider it a kind of guilty pleasure you don't mention to your book club friends, its influence is undeniable. You don't need to have |
| 0:22.2 | watched a single minute of it to experience its influence in everything from hidden camera |
| 0:27.4 | and hidden microphone political revelations to online prank videos to classic TV comedies like The Office. |
| 0:34.5 | From KERA in Dallas, this is Think. I'm Chris Boyd. What showrunners prefer to call |
| 0:40.6 | unscripted programming is everywhere these days. And although the demise of the genre has been |
| 0:46.2 | predicted for something like 80 years now, this dirty documentary format is likely to be a |
| 0:52.3 | permanent fixture in our media landscape. Emily Nussbaum is |
| 0:56.1 | staff writer at The New Yorker and author of the book, Q The Sun, The Invention of Reality |
| 1:01.3 | TV. Emily, welcome to think. Thank you so much for having me. Before we get too deep into this, |
| 1:06.9 | we should talk about what counts as reality TV. Your treatment of this programming includes |
| 1:12.9 | like Real Housewives-style stuff where camera crews follow people around to capture their lives. |
| 1:17.6 | But it's not only that, right? Yes, absolutely. I mean, it is part of the project of doing the book |
| 1:22.8 | is to narrow it down a little bit. And the biggest surprise to me when I was working on this was that |
| 1:28.5 | I thought I was going to start with shows like the real world and Survivor and shows that I |
| 1:34.3 | think people think of as reality TV, including contemporary stuff like The Real Housewives. |
| 1:39.2 | And I ended up going all the way back to radio. So the way I defined it in the book, you mentioned |
| 1:44.0 | the term dirty documentary. And that's the term I use in the book. |
| 1:48.1 | What I see reality television as is the experiment where you take cinema verite techniques, |
| 1:56.2 | these sort of pure elevated discipline of just holding a camera and a microphone and capturing the truth. |
| 2:02.6 | And then you cut it with another format, something that puts pressure on the subject. |
| 2:07.6 | So I'm talking about like soap opera, game show, prank shows, different approaches to that. |
| 2:13.9 | And so it's that combination that I call reality programming. |
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