Realities of Gunfighting, The Perfect Rifle Setup & Long Distance Shooting w/ Buck Doyle
The Colion Noir Podcast
Colion Noir
4.9 • 1.2K Ratings
🗓️ 6 October 2020
⏱️ 40 minutes
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| 0:00.0 | Today's episode is brought to you by Shop. Mr. Kolyon-The War. |
| 0:04.0 | Shop. Mr. Kolyon-The-War.com is the place for all of your two-way apparel needs |
| 0:08.6 | with designs like I am the militia, keep Texas tactical, and I lost all my guns in a boating accident. |
| 0:14.6 | You can show your 2A pride while looking good doing it, and even converting some folks along |
| 0:18.9 | the way. |
| 0:19.9 | So head over to shop. Mr.Coline- the war and grab you two-way merchants today. |
| 0:24.6 | So what I did a, you got on my case |
| 0:27.9 | because I did the video on the three day scope carbon |
| 0:31.4 | course and I called it long-distance shooting you sure did and |
| 0:34.8 | you're like don't call the long-distance shooting it's not long-distance shooting |
| 0:37.7 | exactly okay so okay what is it because I clearly I knew that and I clearly but some of it I think for me was more of a relatability term |
| 0:46.6 | Sure so that people who who saw the title of the video |
| 0:49.7 | Saw it and understood okay what am I about to get into what am I about to watch because for a lot of people anything past a hundred yards to them is long distance. |
| 0:57.0 | So, yeah, and that and that's what I struggle with as far as like course descriptions and whatnot based off of my |
| 1:06.9 | experience in the military and going overseas and deploying in combat it would not. |
| 1:15.0 | Most of your engagements |
| 1:17.0 | is going to depend on your environment. |
| 1:18.0 | So when you're in Afghanistan or Iraq |
| 1:21.0 | some of those big open areas, |
| 1:22.0 | your engagements are going to be between |
| 1:26.0 | two to 600 meters. Okay? So to me that's a typical distance to shoot. So I don't consider that a long range. Okay. |
| 1:36.0 | Especially when you have majority are soldiers in your infantrymen out there they're |
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