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Now we're live. Okay. It's been a lot of fun to sit on one of those. So we're gonna get started

Continuing our reading of Dr. Samaywahi's at Darbiro, Kaurani and we're just for my students

I was gonna read the introduction to this book and translated for them

They're not at the level where they can read this on their own yet

But I still wanted to introduce them to the concepts in this book and before I give them some really fun examples from this book

I wanted to kind of have them

Appreciate how the author organized the spots and how he you know, you know, what's that what's lying ahead in this book

So he wanted to kind of give us a taste of that in his introduction

So we've been doing that for a few sessions and we're gonna continue reading some of that. It's a really interesting topic

Now that he's gonna touch on that's gonna come up in the book. So I'm gonna just get right back into it

Mahosu

Sinhalan and the features of the way the Kaurani uses expressions are many there's many different styles that are in the

Kaurani and we don't want to go too deep into our examination right now

So you're saying I'm dropping all these bombs right now in this introduction, but this isn't deep

I'm just kind of touching the surface

But we just wanted to give a few examples only so that our intention becomes clear

So that we make clear

Waddikka

Fikhtiyarilafil Kaurani so that you appreciate how accurate even a single word in the Quran it's

Fikhtiyarilafil Kaurani, Fikhtiyarilafil Kaurani and so part of that is also kind of a numerical thing that I he talked about and he says

What a remarkable artistic and literary feature that is in the Quran

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