This is Fresh Air, I'm Terry Gross. When my guest Johnny Greenwood was primarily known as the

lead guitarist and keyboardist for the rock band Radiohead, Screenwriter and Director Paul Thomas

Anderson asked Greenwood to write the score for his film There Will Be Blood. It was an unexpected

turn for Greenwood, but he was immediately noticed. The score was described in Rolling Stone as

a sonic explosion that reinvented what film music could be. Greenwood wrote scores for Anderson's

subsequent films including Phantom Thread and The Master which opened like this.

That's a pretty great way to start a film. Greenwood also writes a lot of film music that's more

avant-garde, but some of the avant-garde music is influenced by his love of Baroque. He studied

classical music when he was young, played in a youth orchestra, and has been a composer and

residence at the BBC Concert Orchestra. Now you can hear his music in three very different new

movies, Anderson's Licorice Pizza which is set in the 70s, Spencer, starring Christian Stewart

as Princess Diana, and the power of the dog which is set in Montana in 1925. In the beginning of

the power of the dog, two brothers who own a large cattle ranch are hurting the cattle to market.

This is the music we hear.

Jenna Greenwood, welcome to Fresh Air. I love your music. It's a pleasure to have you on our show.

So that music that we just heard from the power of the dog, it starts like it's going to be very

western-ish, but not quite. And then there's other potentially menacing music intruding on it.

It's a buzzy ominous sounding melody interfering with this western-ish kind of sound. So

it lets you know that this isn't going to be a conventional western even though they're

hurting cattle. And it also lets you know that bad things are going to be interfering.

What's happening musically? What are you doing musically?

I think westerns have a traditional sound which is big sweeping strings and

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