The star of São Paulo chops up 60 minutes of futuristic, global club sounds. It's an oft-heard cliché to describe an artist as truly singular. But with Roniere Santos, AKA RHR, it couldn't be more true. Part of a generation of Brazilian and Latin American artists reshaping club music, Santos and his peers have propelled it to unprecedented global reach. His sets—fearsome, bass-driven and unbound by BPM—have made him essential at some of the world's most forward-thinking clubs and festivals, from Horst to Berghain to Gop Tun. Behind the decks, his radical approach is both audible and felt through the body, driven by uncanny beatmatching and fluid harmonic mixing. Sonically, he pairs a knowledge of sound design with restless curiosity about music spanning continents and subcultures—evident in this recording, where Brazilian rap meets maqam-inspired melodies and breakbeat sections blend with deconstructed baile funk loops. And while his reach is now global, Santos remains inseparable from São Paulo. It's where he found his footing: from his first residency at Tantša, to belonging at Mamba Negra, to the foundations of an international career. For RA.1035, RHR crosses all the ground you might imagine—trance pads, dreamy pan flutes, post-dubstep, baile funk—with a menacing and seductive energy, a sense of discovery lurking behind every track. Find the tracklist and Q&A at ra.co/podcast/1054 @rhrmusiq