4.6 • 2.7K Ratings
🗓️ 31 December 2021
⏱️ 77 minutes
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0:00.0 | Hello pod, I'm Chris Eward and welcome to the final Empire Podcast of 2021. |
0:20.7 | Or the first of 2022, depending on when you listen to this, either way, what a way to go |
0:25.3 | out or what a way to go in because this is an in-depth interview special with the one |
0:32.4 | the only Quentin Tarantino, which is apt as I started the year with an epic Quentin Tarantino |
0:40.1 | podcast, in which he and I sat down with Edgar Wright and talked, well, they talked, I mainly listened |
0:46.2 | about British cinema. So it makes sense to end this year with Tarantino, a lovely pair of QT |
0:53.7 | podcast bookends, if you will. And bookends are also apt as this podcast is mainly dedicated to |
1:00.8 | an in-depth discussion of Tarantino's first book as a writer of prose, which is a novelization |
1:08.5 | of his Oscar-winning screenplay for once upon a time in Hollywood. If you've read that book and |
1:13.9 | I would strongly suggest that you do before listening to this because even though it's not a |
1:18.4 | spoiler special per se, we do talk about some plot developments in great detail. And if you've |
1:24.3 | read the book, then you'll know that it's not just simply a copy and paste job, but it is an |
1:28.8 | elaboration on an expansion of the movie, shifting key scenes around adding tons of new material, |
1:35.9 | ended up using plenty of depth and shade to scenes from the movie, answering plenty of questions |
1:41.2 | raised by the film. So if you want to know, for example, whether Cliff Booth really did kill his |
1:47.9 | wife, the book and so on, definitively. So this interview, which took place in a London hotel room |
1:54.5 | in September the day after Tarantino had taken part in an onstage Q&A at the Alexander Palace |
2:00.3 | with Kim Newman. This interview talks about all that stuff, as well as Tarantino's creative process, |
2:06.7 | his compassion for his characters and the way that runs throughout his career, his plans for more |
2:12.0 | works set in and around this world and much, much more. Again, it's not a spoiler special per se, |
2:18.4 | but we do go into spoiler-proof details around some of his films and the fates of some of his |
2:22.9 | characters. Some of those films are reservoir dogs, pulp fiction, true romance, |
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