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Strictly Come Dancing: The Official Podcast

Put A Foot Wrong, Pass It On!

Strictly Come Dancing: The Official Podcast

BBC

Tv & Film

4.61.2K Ratings

🗓️ 22 October 2023

⏱️ 26 minutes

🧾️ Download transcript

Summary

2018 Strictly finalist Joe Sugg teams up with producer Kim Winston to bring the fans an Access All Areas backstage pass to the show. Kim has an encyclopaedic knowledge of Strictly, having worked on the show since 2009, and Joe knows first-hand what all the couples are going through, making them the perfect duo to give the listeners an exclusive insight of what really goes on backstage. It’s week 5 and the competition is heating up as Joe and Kim catch up with the couples backstage for all the goss! Kim tests Adam on his 90's boyband knowledge, and Joe quizzes Annabel on her Strictly journey so far! The Strictly Come Dancing Official Podcast is made by BBC Studios, produced by Kim Winston and edited by Jonathan O’Sullivan. Listen now on BBC Sounds.

Transcript

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0:00.0

BBC sounds, music, radio, podcasts.

0:04.9

Welcome to the Strictly Condensing podcast with your hosts, Joe Sugg and Kim Winston.

0:12.4

It's week five of Strictly and week five of the podcast, Kim.

0:15.7

And Claudia said that Craig was in a week five mood, didn't she?

0:20.0

What is a week five mood?

0:22.0

Expecting too much.

0:23.0

Oh, do you know what?

0:24.0

I thought there was a lot of people going wrong.

0:27.7

It felt like this week.

0:28.7

Totally.

0:29.7

And it seemed to be at the start, didn't it?

0:31.7

First we had Annabelle, she went wrong, then we had Nigel, and then you thought, oh, wait a minute.

0:36.7

Where is this kind of going to go?

0:39.7

We're not quite sure.

0:40.7

And then we had Eddie as well, who went a little bit wrong.

0:43.7

It was tougher there, but maybe that's what happens in week five.

0:46.7

You know, is that point of the competition where it starts to sort of bottle neck?

0:50.7

Is that the right term?

0:51.7

I don't know, but I like that word.

0:52.7

I'm going to use it where it starts to get a bit tight and everyone gets a little bit more

0:56.7

paranoid about, you know, how good your dance is going to be in comparison to everybody else's

1:01.7

and it can get very, very tense.

...

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