Welcome to Pablo Torre finds out. I am Pablo Torre, and today we're going to find out what this sound is.

He opens the door. He just said, my son, and it was like, oh, the tears start rolling again.

You know, because I've never been referred to as somebody's son.

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You're listening to Draft King's Network.

You know, one of the things that I have to do at the top is say, first, thank you for doing this.

Sarah Spain, hello.

Yeah.

And the other thing is to do a thing that is cruel, which is to say, there's a twist in this story, which we're not going to give away because we're trying to be good at telling stories, but holy f*** it.

Yeah, that was my response when I first heard the story. It was pretty much holy

shit. And now that story is a book, which is why you were here with us today. It is coming out.

It is called Runs in the Family. What's the metaphor that you choose to use to describe the process of

of birthing this?

Actually, I've been joking. I am throwing myself a book baby shower wherein I buy myself a push present.

Because honestly, and though the labor maybe wasn't as painful as a human baby, but at the beginning I was like, to quote you earlier, holy shit, why did I choose to do this?

Yeah, I should say, I mean, to quote Tony Kornheiser, about his own hands, these fingers

don't really type anymore.

Well, I am worried about you after you did that interview where you said some of your articles,

you actually changed the words in sentences so that the ends of them would line up in a paragraph.

So it looked nice.

I was like, oh, he should never write a book.

Yeah, that whole thing about how you are not burdened by the neurosis of writing,

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