4.6 • 1.4K Ratings
🗓️ 5 May 2023
⏱️ 33 minutes
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0:00.0 | Hello everyone, Alistair here. It is very, very good to be back. |
0:03.9 | Before we dive into this though, just a word of warning. This story is very good and very |
0:09.3 | strong stuff. If violence is one of the things that makes you extremely uncomfortable, consider |
0:15.0 | proceeding with caution into this one. Thank you. |
0:18.5 | Sudapod Episode 864 May the 5th, 2023. This week's story, all the ways to hollow out a girl |
0:30.8 | by Gwandel and Keast, narrated by Rose Hoffelik, audio production by Chelsea Davis. |
0:38.9 | Hi everyone, how have you been? It's been four, six weeks, I think, since I was lost here, |
0:46.8 | both Margaret and I got covered for a fortnight and then had another fortnight recuperating from |
0:51.6 | it and we're still not fully back, but we are very much on the way. This was our first time |
0:56.9 | and I would recommend it to precisely nobody. Please, if you can, avoid it as much as possible. |
1:04.9 | So, for my first story back, we have a piece by Gwandel and Keast. Gwandel and is the three-time |
1:11.3 | bramstalker award-winning author of several books, including The Rust Maidens, |
1:15.5 | reluctant to mortals, and her smile will untether the universe, pretty Mary's all in a row, |
1:20.8 | the invention of ghosts, and bone-set and feathers. Her short fiction and nonfiction have appeared |
1:27.1 | in Nightmare magazine, Taw's Night Fire, Bastarian, Best American Science Fiction and Fantasy, |
1:32.9 | Interzone and Lamplight, as well as Flame Tree Publishing's Gothic Fantasy series, among others. |
1:39.0 | Originally from Ohio, she now resides on an abandoned Taw's farm outside of Pittsburgh, |
1:44.1 | with her husband, their Calico cat, and not nearly enough ghosts. You can also find her online |
1:49.7 | at Facebook and Twitter. This week's narrator is Rose Hotholic. Rose is a gamer and caretaker of |
1:56.7 | maybe too many cats. Rose's work brings disparate parts into a cohesive whole while her love of |
2:02.5 | esculent art is peppered throughout. Through collaboration with a diverse range of clients and varied |
2:08.0 | industries, she explores function, encourages interaction, and successfully differentiates narratives |
... |
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