Beatle juice. It's Showtime.

So this is a guy who's literally a pedophile and Lydia becomes the, you know, everyone unites to save Lydia.

But he is, he has to be summoned again and again.

You have to say his name three times, but I think he's also invoked in other ways.

I think he is sort of the kind of spiritual personification of Delia's

transgressive arts and he is also this kind of mirror image of the finance capital that Charles invites into Winter River.

And so the haunting takes on a dual purpose. It's not only to save the

Maitland home from this tacky decor, but also to save the entire town. the possessing the family into singing Dio, this Harry Belafonte version of a song that was a standard of

Jamaican port workers packing bananas all night onto ships.

And the song is an appeal to their overseers.

Please, we're tired of working all night.

The sun is up.

Let us please go home.

Work all night on a drink a rum.

We like come when we want go.

Stap banana,

Billy morning come. So it's this very strong

proletarian message that kind of cast everything in the film into melodrama

and so the fact that this family and their finance

friends have been possessed isn't scary to them. They think it's fun and they

think well wow we can actually turn this house and this town into like a paranormal

amusement park. they want to

...