Primary Colors (Rebroadcast) - 2 January 2023
A Way with Words - language, linguistics, and callers from all over
A Way with Words
4.6 • 2.3K Ratings
🗓️ 2 January 2023
⏱️ 52 minutes
🔗️ Recording | iTunes | RSS
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| 0:00.0 | You're listening to away with words, the shout out language, and how we use it, I'm Grant Barrett. |
| 0:04.8 | And I'm Martha Barnett, butter of antimony, blue vitriol, flowers of zinc. |
| 0:12.4 | Aren't those gorgeous terms, Grant? |
| 0:14.5 | Yes, are these crystals? |
| 0:17.2 | You're close. These are terms that were used for centuries by alchemists and scientists |
| 0:22.4 | for various chemical compounds. So butter of antimony is now called antimony trichloride, |
| 0:28.8 | blue vitriol, is cupric sulfate, and flowers of zinc refers to powdered zinc oxide. |
| 0:35.9 | And I learned all of this from a wonderful book I just finished called Uncle Tungsten, |
| 0:40.5 | Memories of a Chemical Boyhood. It's my Oliver Sacks, who's the guy who's probably more famous |
| 0:46.4 | for the man who mistook his wife for a hat. But this is about his childhood when he was fascinated |
| 0:52.1 | by metals and chemical reactions in the periodic table. And it's also a really good introduction |
| 0:57.8 | to basic chemistry. But he writes in the book about how that brilliant 18th century chemist, |
| 1:03.6 | Antoine Lavassier, had decided that every substance should have a name that denotes his |
| 1:09.2 | composition and chemical character. He's the guy who went in there and said, we've got to be more |
| 1:14.1 | systematic about this. We've got to have names that indicate how these substances would react |
| 1:19.2 | or behave in various circumstances. And Sacks writes about how he understood that, but he also |
| 1:26.0 | missed the old names because they had a poetry. Right, yeah, they do have a poetry, but there's |
| 1:31.3 | also a mystery about them. Yes. All the elements ending in inium or whatever just really doesn't have |
| 1:38.3 | a, you wouldn't put that into a rhyme, right? You wouldn't seem that as part of a song. No, you |
| 1:43.2 | wouldn't put it into a poem, but I mean, it communicates a lot. It's, you know, it's doing a lot of |
| 1:48.2 | work. The theides and the eights and the, and the different, different suffixes and prefixes, but |
| 1:56.3 | I think we've lost something that we no longer talk about, Jovial Beesor. Oh, Jovial Beesor, |
... |
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