I want to talk a little more about London as well, right?

And we've alluded to this already, which is this the night tube I have in the document in all caps.

And one thing about London, and we can extend a little out as well from just like these

either doing touristy things in Notting Hill or sort of living and eking out as much utopia as

you can in Mile End. We also have sort of frequent trips to Soho and seeing the and sort of in

trying to enjoy the street corner of standing outside the pub near where she works, and we'll talk about

where she works, where Melissa works. And you have lots of parks and people eating in public.

It seems as though that you've also sort of, in addition to being a kind of, you know, it's a

forlorn love letter in some senses, and that it's, you see all these wonderful

things about, about London, something that really impacts me is all the good things about

it are basically public, the public spaces, street corner demonstrations, the night tube,

buses and coming to know the city by the roots of the buses and parks and green spaces.

Explicitly illegal things like protests or, you know, like club nights that are sort of like

running slightly beyond their license, things like that.

Yeah, exactly.

And I just, I guess I was, again, perhaps with the sort of romance of lockdown.

But, I mean, I guess, Alice, you'll remember this,

but having those under 18 oyster cards was just so incredible.

Yeah, it genuinely, like, this is one of the things.

Governments in this book only really sort of like take the form of like, you know, the

Brazilian sort of like incipient coup that's, you know, and the ousting of Dilma Rousseff or

the dictatorship itself in the 70s. And then there's this one instance of like a policy

...