Hello and welcome to Stanley Kubrick Part 4. Unfortunately, Harry can't be here with us. He's got to record the podcast, but he will be here once again, Rip Harry. And to refresh your memory in part three, we discussed the controversial film A Clockwork Orange. We talked about the Scrap Napoleon Project, as well as Barry Lyndon,

which was an IRA magnet apparently. And now we're going to be picking up where we left off,

as well as talking about the film The Shining, as well as Full Metal Jacket, two of my favourite

films. I'm really looking forward to talking about them.

And I'm of course joined by proper horror show, Chloe. And thank you very much for taking the

time to join us today. And I'm really looking forward to what you're going to tell me about

this stuff because you know all of these details about the process of the filmmaking and

Kubrick as a man and what he was doing behind the scenes that I just don't know.

I sort of know a lot about the films and the director himself, but not much else really.

Where else can I talk about his numerous speeding tickets?

Some people have the gall to describe that stuff as irrelevant minutiae.

Here we deal in irrelevant minutia.

No, it's an absolute pleasure.

And we are getting onto the period that I really enjoy his 80s films.

And since we are talking about 80s filmmaking,

I thought maybe we could do it in improper style, you know, if you want.

Oh, well, thank you very much.

Carl will tell me off for smoking it, but it's here.

Well, no, it is 80s filmmaking.

Oh, okay.

A little pick-me-up as well.

Yeah, I know.

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