Hello and welcome to the extra secret cursed third episode of our look into the life and works of Stanley Kubrick.

I'm joined today by our friend and guest, Chloe, a proper horror show.

And Josh has returned again for this third episode where we're going to be discussing Clockwork Orange,

some of Kubrick's failed projects that he was trying to do between Clockwork Orange and what turned into Barry

Lyndon, which was Napoleon, and then we're going to be discussing Barry Lyndon in this episode.

If you are wondering why we seem somewhat high tension, why this episode is cursed, and also

why it is that this episode is taken so bloody long to come out, why this episode is cursed, and also why it is that this episode

has taken so bloody long to come out.

Well, this is the third time that we're recording it.

The second time today, the first time the audio was corrupted, the second time we ran out

of disc space, and now we're recording finally, but there is is a rogue and invincible fly in the studio.

I've genuinely shocked it twice, squashed it once and it's still flying around.

I don't understand how it's even possible.

This fly has been designed by Miyazaki himself and we're on the fourth phase.

This is kind of like sword-stained Ishin in Sekiro.

So we can only hope that I can get a lightning counter on it at some point and finally finish it off with a death blow.

But until then, if it flies about, you'll have to put up with it the same as we're putting up with it.

I have a weapon with me just in case, but we will make do as we shall. So let's start

with the discussion of a clockwork orange again. Endless reshoots. It's exactly what Stanley would

have wanted. Exactly. Stanley Kubrick has been in charge of this production from beyond the

grave and we simply did not know.

It's actually quite...

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