Hello and welcome to part two of this Premium Director series on David Lynch, the follow-up to our Stanley Kubrick series.

If you've not watched the first episode, we would recommend going back and watching that where we covered some of David Lynch's early career,

Eraser Head, Elephant Man and Dune.

Now we're following up in this episode with Blue Velvet, Wild at Heart and Lost Highway. Now, we know

Twin Peaks actually falls chronologically in there. It falls in between Blue Velvet and Lost

Highway. It was done before Wild at Heart. And then there's also the film Fire Walk with me.

But because Twin Peaks is such a large

expansive time-consuming work and also because Chloe's not actually finished it yet

we are going to save that for another episode possibly where we cover the straight

story in Mulholland Drive maybe we'll include it in Inland Empire as well we've not

decided as of yet, but these are the

films we're talking about today. We will be going over full spoilers with the narratives of these.

So be warned if you've not watched any of them. We'll try and get the editors to put a timestamp

in the video if you want to skip over any of the analysis that we give so that you can

save yourself from that. But as I mentioned in the

first episode, these are films that you really can experience, even if you know the basic

narrative plot threads, and whatever analysis that we can give to you will only be supplementary

to whatever analysis and feeling that you get from the films, which are very much experiential.

So take that as a warning, and I'm your host, Harry. Here's Josh. Hello. And here's Chloe,

proper horror show. Nice to be back. I hope you've all got your coffee ready at home watching this.

I've gone for a refill. I've got myself a lovely black coffee here,

as David would want. And shall we just go straight into it from where we were? So we were previously talking about Dune in the first episode where we were saying about how it was a complete

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