I thought it was really funny that in the middle of his speech, if you're paying attention to what Eminem is really about, he kind of made it about cancel culture for a minute.

He did it in clever words, but he sort of said, you know, a couple of very bland banal things of just like, you know, I will I won't support the campaign and, you know, she's

going to do this and that and make things right. But then there was this weird, like,

a side, like, what do you call? Like a tangent he took where he was like, and you should be

able to express your opinion and not have, you know, backlash against it.

And I think Kamala is going to yada, yada, yada.

And it's like, wait a minute.

Wait a minute.

You're still like on about being an edge lord.

Because I don't know if you've heard his latest album, but it's actually kind of brilliant.

Oh, yeah?

No, I haven't.

It's very, um, I mean, it reminds me a lot of Joker Folly, uh, Foglio Chow.

It, it's, it's like bad.

Like a lot of it is just him not at the top of his game and it's kind of corny in a way that he tends to be but what

it is actually doing and saying is brilliant because it's called the death of slim shady man

you know what I just realized this is a lot like joke or two actually because in uh in the it's a

concept album where he he talks about this character he made up, Slim Shady,

and he raps as Slim Shady and he wraps as Marshall Mathers or Eminem or whatever.

And he's processing all of these things that he's lived through as being someone who's created an avatar for themselves

as an artist and that has led him to, you know, to come to these conclusions that artists come

through where they feel persecuted and stuff and they're like, I'm being canceled and all this

...