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The Video Archives Podcast with Quentin Tarantino & Roger Avary

Preview of The Big Sleep (1978)

The Video Archives Podcast with Quentin Tarantino & Roger Avary

Video Archives Podcast, LLC.

Tv & Film, Film History

4.8828 Ratings

🗓️ 17 December 2024

⏱️ 6 minutes

🧾️ Download transcript

Summary

Missing Video Archives this week?  The good news is you don't have to!  Get your fix of Quentin and Roger every week by subscribing to our Patreon.  Here's a short clip from Quentin and Roger's discussion of The Big Sleep (1978).  You can hear the rest of this conversation and this week's Aftershow by subscribing to our Patreon.

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Transcript

Click on a timestamp to play from that location

0:00.0

Missing video archives this week, the good news is you don't have to.

0:03.9

You can hear the rest of this conversation and video archives after show by subscribing to the video archives Patreon.

0:10.7

Head on over to patreon.com slash video archives to subscribe today.

0:16.8

Would you say this is like the equivalent to like the Carpenter remake of the thing being closer to who's that knocking at my door than the Hawks production?

0:26.4

They really went back to the source material?

0:29.1

Not in exactly the same way.

0:31.3

I think the idea in the case of the thing is they kind of ignore the source material.

0:36.9

It just take the few elements

0:38.1

that they want and made their own 50s sci-fi movie in the process. They still tell the story

0:44.7

of the Big Sleep and the Howard Hawks version. It's similar to the Count of Monte Cristo.

0:50.6

I'll give a long... Yeah, go for it. And we'll see if it works, okay?

0:56.8

In my opinion, hands down, the best version of the Count of Monte Cristo is a 1934 Robert

1:04.4

Donet version directed by Roland V. Lee.

1:08.0

Every other version of the Count of Monteumont Monte Cristo has all set out to be the definitive

1:15.7

version of the Count of Monte Cristo. But that was not the case with the 34 version. Edward

1:21.9

Small, the producer, and Roland V. Lee, the director, they didn't give a fuck about honoring the Alexander Dumas

1:29.1

novel to the highest extent. They wanted to take the material and turn it into an exciting

1:33.5

movie. And it ends up being the most exciting movie because all the tropes that are usually

1:38.0

kind of a drag and all the other versions, they get through as fast as they can because they

1:41.1

want to get to the revenge part. All right, that's what they want to do. And it's the best. All the other versions, the bigger the period design, the bigger

1:50.2

the production design, the bigger the costume design, the more they shot on location, just draws it

1:56.1

out and makes it not as interesting as the 34 version that you get that they they turned it into a movie

...

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