Task Force. It's time for another preview, and this one I am extremely hyped about. Yes, we're done with Enter the Matrix. Unfortunately, what a fun ride that was. But now we're exploring Kate Siegel and Mike Flanagan's Hush. This is a phenomenal film. It is so immersive and so quick. It's like 81 minutes long, and it's so punchy. It's one of the best thrillers in modern cinema. So you got to check it out.

And if you want to listen to us,

break down the plot and give

a... quick. It's like 81 minutes long, and it's so punchy. It's one of the best thrillers in modern

cinema. So you got to check it out. And if you want to listen to us, break down the plot and give all of our thoughts, we analyze everything we see in this movie because there's a lot to unpack. Come head over to red webbpod.com. But until then, enjoy this preview of today's episode. Later that night, a mass killer with a crossboat attacks Sarah and chases her to Maddie's house.

A bloodied Sarah bangs on the door. today's episode. Later that night, a mass killer with a crossboat attacks her and chases her to Maddie's

house.

A bloodied Sarah bangs on the door shouting for help.

She goes unnoticed by Maddie.

Then the killer stabs Sarah many times resulting in her death.

His part was the whole being deaf and mute friends right there struggling.

Yeah.

Yeah.

And I will say, now that I kind of think back about it, maybe that's also why the bang on the glass didn't feel like regular bangin on glass.

Mm.

Because I was also like Sarah just break the damn glass.

That's what I was thinking. I was like, if you're running for your life, take a rock and take your friend's window out, you know? Mm-hmm. So I felt like everyone in the movie in this universe is world, do. Right. Right. For the viewer. Yeah. Interesting. And it played a role. So I was like, yeah, I definitely like thinking about it. I could use a line. Hmm. But the stabbing was vestro just because it just gets to the point where he's just, I mean, repeated so many times. I hated it. I hated it. It was, it was, it was, yeah, I I, I totally agree. Just because you can hear the subtle sounds of it going in and out of, they're trying to mimic us flash. And it's like, this is a lot to take in right now. Yeah. Just started. Yeah. It was kind of interesting that you couldn't see it, but that audio design was visceral. Oh, you can hear the messiness of it. It also,

it is such an interesting characterization moment for the killer because he can see through the window

too. So he sees Maddie inside not doing anything. And the fact that he's already kind of clocking

this, you know, he saw Sarah run up and Maddie didn't respond. And the fact that he's not leaving. He's just slowly stabbing the hell out of this woman, knowing full well that Maddie might turn around and see it any time. Like, that's already a good peek into just how psychotic this dude is. Oh, yeah. He wants her to know because he's like, oh, I got my next person.

Yeah.

But then he's like, she doesn't see this knock, knock, knock, interesting.

...