You just think about this. You go back to it. Hey, you know, it would have made us a lot more resilient

to the economic fallout caused by all of this happening. Probably if we like invested in stuff,

probably if we invested in stuff in broadband, energy generation, food security, you know,

maybe we wouldn't be, we wouldn't have to every time like the economy went down deciding a new class of people to kill. We wouldn't have,, every time, like, the economy went down, deciding a new class of people to kill.

We wouldn't have, just no one would be doing that.

We're kind of running out of classes here.

Like, this is a bad time.

We're running out of, like, adjectives.

Hey, you know what?

It's going to be fine because Kier Starmor watched adolescence, and that's his new plan.

Great.

Yeah, fantastic. I mean, if nothing else,

right, retreating towards the TV is, it's an interesting redoubt for kind of like the center

right, right? Because posting, posting is the province of like the truly weird now like you know us

But like you can still there's enough of a wall around TV for the most part that like isn't even there in movies necessarily

That you can still be like well you know this is something that we can we can use and so you end up with this really strange British phenomenon of

governance by prestige drama. This is the second time this has happened in the last year.

It's crazy. It's one of those things. Like if I had a nickel for every time the Labor Party made

policy on the basis of a prestige drama, I would have two nickels. That's still too many

nickels for that

particular thing. Yeah, I think it'd be so funny if Kirstarma like just did this every time

he sort of saw a film or TV show that he really liked. Like, he sort of called everyone

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