4.7 • 15.1K Ratings
🗓️ 30 June 2020
⏱️ 59 minutes
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0:00.0 | Father Jesus and a good Father |
0:05.2 | TO BE CONTINUED |
0:08.0 | Welcome to You must remember this the podcast dedicated to exploring the |
0:32.5 | secret and or forgotten histories of Hollywood's first century. |
0:39.5 | I'm your host, Karina Longworth, and this is another installment of our ongoing series, |
0:49.1 | Poly Platt, The Invisible Woman. |
0:55.8 | When last we left Poly Platt, she had decided to try her hand at screenwriting. |
1:02.3 | After the rationale that it was a job she could do at home, in Los Angeles, where her kids |
1:08.4 | lived. |
1:10.2 | By the time bad news bears and a star is born were released, Poly's daughters Antonia and |
1:16.2 | Sasha were nine and six. |
1:20.7 | It broke Poly's heart to leave them to go to other cities to work, and Antonia, in |
1:26.0 | particular, really felt her mother's absence and was starting to show behavioral problems |
1:32.9 | because of it. |
1:35.3 | Poly decided to refocus her career, hoping that it would allow her to be home more, and |
1:41.7 | her relationships with her daughters would thus improve. |
1:46.8 | But it didn't exactly work out that way. |
1:50.7 | Her first film as a screenwriter, Pretty Baby, concerned a child living in a turn of the |
1:57.3 | century New Orleans brothel. |
2:00.5 | The shooting of this movie not only led Poly away from home, but dropped her into another |
2:07.8 | family's mother daughter dynamic that had its own complications. |
2:13.9 | Then, just as Poly's home life was stabilizing, a horrific murder sent her extended family |
... |
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