meta_pixel
Tapesearch Logo
Log in
The LRB Podcast

Press the Red Button

The LRB Podcast

London Review of Books

Society & Culture

4.4581 Ratings

🗓️ 28 July 2020

⏱️ 52 minutes

🧾️ Download transcript

Summary

Following his piece in the latest issue of the LRB, William Davies talks to Thomas Jones about the new political polarisation, and what it owes to the online culture of instant feedback. What does politics look like, Davies asks, once the provocation of reaction, positive or negative, precedes the slow work of excavation, research, reporting and administration? They discuss the anticipation of this modern politics in the ideas of the Nazi theorist Carl Schmitt, the seductive appeal of referendums as relief from the quagmire of parliamentary liberalism, and the way that demanding people take sides in the ‘culture wars’ inhibits meaningful discussion where it’s most needed. Read William Davies' piece here: https://lrb.me/daviesredbuttonpod Subscribe to the LRB from just £1 per issue: mylrb.co.uk/podcast20b Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcript

Click on a timestamp to play from that location

0:00.0

Welcome to the LRB podcast. If you subscribe to the LRB, you can get the first 12 issues for just £12.

0:08.1

To find out more, go to lrb.me forward slash listen. That's LRB.m.m. forward slash listen.

0:16.9

Hello and welcome to the London Review of Books podcast. My name is Thomas Jones, and today I'm

0:22.1

talking to William Davis, who teaches politics at Goldsmith, and whose most recent book is

0:26.6

Nervous States, How Feeling Took Over the World. He's a regular contributor to the LRB, and he has a piece

0:32.3

in the current issue about the new political polarisation, and how it's come about that we have a

0:36.9

politics that reduces to a base distinction between friend and enemyisation, and how it's come about that we have a politics that reduces

0:37.9

to a base distinction between friend and enemy, whether distinction itself is what counts,

0:43.0

not whatever fuels or justifies it. Hello, Will, thank you for joining me. Hello. And the idea of a

0:48.2

politics that reduces to a friend, enemy distinction is associated, as you say, with the Nazi

0:53.1

philosopher and jurist, Carl Schmidt. You begin your piece with say, with the Nazi philosopher and jurist Carl Schmidt.

0:55.7

You begin your piece of Schmidt, and the idea he developed in the late 1920s that public

0:59.7

engagement with power should be limited to expressing consent or disapproval simply by calling out.

1:06.3

Public opinion, he thought, is the modern type of acclamation. And that's a very shriveled form of democracy,

1:12.0

but it sometimes seems as if it's the form of democracy that we currently have. So the question,

1:17.1

I suppose, is how is it that Schmidt's model has come to pass? So that's how have we got here?

1:22.6

Well, I think, I mean, Schmidt was also a leading critic of parliamentary liberal democracy and of the

1:30.3

failures of the Weimar Republic that he was in many ways reacting against in the late 1920s.

1:37.8

And I think that that passage of Schmidt's writing that I talk about in the piece, and which is the inspiration

1:46.8

for the piece, in that he also talks about how a people cannot be represented. It is a critique

1:53.0

of the idea that a demos, a people, can be represented by parliamentarians, by political parties, by people gathered together in a parliament

2:04.8

acting as we now understand in a liberal democracy as professional politicians. And Schmidt was saying

...

Please login to see the full transcript.

Disclaimer: The podcast and artwork embedded on this page are from London Review of Books, and are the property of its owner and not affiliated with or endorsed by Tapesearch.

Generated transcripts are the property of London Review of Books and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.

Copyright © Tapesearch 2026.