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Flash Forward

Popnonymous

Flash Forward

Flash Forward Presents

Science

4.81.6K Ratings

🗓️ 31 May 2016

⏱️ 45 minutes

🧾️ Download transcript

Summary

Today we go to a future where all pop stars use avatars, clones, robots or cartoons instead of their real bodies and faces. What does that do to music? Can everybody pull off an avatar? And why would any pop star even want that? We start with a conspiracy theory. Jaya Saxena tells us about the theory that Beyonce is a clone. And one of the reasons Jaya thinks that people might think Beyonce is using a clone is because she’s so private, and hates doing press stuff. Which of course is not the case, Beyonce may seem perfect but she is in fact a single human woman. But the idea that a pop star might want to use a clone or avatar to do some of the more boring and annoying tasks required of pop stars: red carpets, meet and greets, constant interviews, is believable. Kelsey McKinney, a culture writer at Fusion, says that most of the pop stars she’s interviewed would absolutely take an out if they were given one. She tells us about what the grind of pop-stardom is really like, and why so many stars eventually do break down. Now, there are some pop stars who use fronts or avatars. The Gorillaz performed as a cartoon troupe. Daft Punk wears those helmetty things. Sia wears a big wig. Deadmaus often performs wearing a giant mouse head. There’s this rock band called The Residents that has a small but very intense cult following. MF Doom performed in this gladiator mask. There are lots of examples of this. But Kelsey points out that none of them have reached the level of fame that say Beyonce or Taylor Swift has. The one possible place we can find a true pop star that is represented by an avatar is Hatsune Miku. Now, if you’re not familiar with Hatsune Miku, she’s a 16 year old Japanese popstar. She’s 5 feet 2 inches tall, and she weighs 93 pounds and she’s got this really striking blue hair that is usually in these super long pigtails. And she is not real, she’s a cartoon or hologram. Hatsune Miku is a particularly interesting case to me because unlike The Gorillaz or Daft Punk or Sia, Hatsune Miku isn’t a front for a person. There is no artist laboring behind the scenes, who then goes out and uses the Hatsune Miku cartoon character to perform. She’s entirely a fabrication of a company, and I swear to you that I am not making this up, the company’s name is Crypton Future Media. And Crypton Future Media makes these singing synthesizer programs. And that’s where Hatsune Miku’s voice comes from, it’s totally created by a computer. And last week when I was doing some research for this episode I realized that Hatsune Miku was actually playing at Hammerstein Ballroom in New York City where I live, in just a couple days. So, obviously I bought tickets and this past weekend I dragged my very patient boyfriend to her show. You can hear how that went in the episode. But of course I can’t interview Hatsune Miku, since she’s not real. So instead I called my favorite anonymous musician: the man behind Hussalonia. You can read about the back story to Hussalonia on their site, but here’s the gist: Hussalonia is a pop music cult, which was purchased by an evil soap company called Nefarico, which demanded that Jesse no longer use his name or face in the songs, and also required him to put out two albums of soap jingles. And the man behind Hussalonia, Jesse Mank, tells us about why he came up with this story, and why he didn’t even do interviews until recently. Finally, we all discuss what kinds of avatars people would choose, whether certain types of music are better suited to avatars, and what kind of fan art might spring up from these avatars. Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcript

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0:00.0

Hello and I'm your host. Flash forward is a podcast about the future.

0:14.4

your host. Flash forward is a podcast about the future. Every episode we start with a little trip to the future and then we come back to now to really overthink how that future might go down.

0:20.0

So one quick thing before we jump into this week's future and I'm putting it up here at the top because I know that some of you skip the endings of the podcast.

0:27.5

It's okay, I totally do that too to other shows.

0:30.3

But I wanted to tell you that I'm teaming up with a couple of friends and we're doing a secret flash-forward project

0:35.4

Now I can't tell you much about it because it's a secret but it will involve adventure and

0:40.2

puzzles and mystery and a bunch of really cool stuff.

0:43.6

We're currently trying to raise a tiny bit of money to make it work,

0:46.4

and if you're interested in learning more,

0:47.8

go to Flashforwardpod.com,

0:49.7

and you'll see a link on the homepage to the Secret Project,

0:52.0

you can check it out.

0:52.8

And if you've got a couple of bucks to spare,

0:54.5

help us make it happen.

0:56.1

If you do, you'll get something cool.

0:58.4

Okay, let's go to the future.

1:00.0

This week, we're starting in 2085. Hello and welcome to pop music happy hour. A rare table podcast about all things pop and culture.

1:23.0

I'm Quinn Yamagutipolavi and I'm joined this week by Kaysha Pierce-Todenberg and Nesira Kurslowski Biancole.

1:28.9

This week we've got two big pop avatar discussions.

1:32.0

First we're going to talk about the band Gogantua's

1:34.0

controversial decision to switch their avatars and what fans think about that decision.

1:38.3

Then we're going to talk about the current spat between Saky and Fujita

...

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